https://sigridsandstrom.com Sigrid Sandström Thu, 18 Jun 2026 09:21:51 +0000 https://sigridsandstrom.com en https://sigridsandstrom.com/Start Thu, 28 Oct 2021 12:28:02 +0000 Sigrid Sandström https://sigridsandstrom.com/Start SIGRID SANDSTRÖM https://sigridsandstrom.com/News-1 Mon, 01 Feb 2021 13:36:00 +0000 Sigrid Sandström https://sigridsandstrom.com/News-1 Squall: Sigrid Sandström at Perrotin, LondonArticle by Sofia Hallström in Elephant Magazine: https://elephant.art/squall-sigrid-sandstrom-at-perrotin-london/ ︎(A)TYPICAL DAY Conceived in collaboration with Perrotin, the new series (A)TYPICAL DAY is intended as an immersion into the daily lives of artists, through their studios and the places that nourish their practice. In Stockholm, Sigrid Sandström welcomed @marcbeyneysonier into her two studios, as well as into the surrounding forest. Rooted in a long-standing, almost instinctive relationship to landscape, her painting is shaped by sensation, memory and physical experience. Her works unfold as moving phenomena, without horizon or fixed point. Mental spaces in constant transformation, where paint flows, settles and solidifies in layers, like a geological process. See the filmed interview here <img width="645" height="1155" width_o="645" height_o="1155" data-src="https://freight.cargo.site/t/original/i/315cebcbdc8c66d6c474b9be32b1f99082bed6585ad4553f5c0f93547c10b36b/Skarmavbild-2026-04-14-kl.-15.05.22.png" data-mid="247181069" border="0" src="https://freight.cargo.site/w/645/i/315cebcbdc8c66d6c474b9be32b1f99082bed6585ad4553f5c0f93547c10b36b/Skarmavbild-2026-04-14-kl.-15.05.22.png" /> ︎Squall Solo exhibition at&nbsp;Perrotin London Brook's Mews W1K 4HRExhibition runs until Saturday 23 May 2026 More info <img width="1280" height="1138" width_o="1280" height_o="1138" data-src="https://freight.cargo.site/t/original/i/82044c81b95ff23babed8e3fab47e5fe80922b99ccd9849b4ef7c1bd2e6efb0c/image.png" data-mid="246229815" border="0" src="https://freight.cargo.site/w/1000/i/82044c81b95ff23babed8e3fab47e5fe80922b99ccd9849b4ef7c1bd2e6efb0c/image.png" /> ︎ Interview&nbsp;with&nbsp;Yale university student radio Have a listen ︎ ReviewsThe Roborant Review Sigrid Sandström, Penumbra, Leeman, Hugh, Roborant Review, Nov 10 The Brooklyn Rail Sigrid Sandstrom: Penumbra, Buhe, Elizabeth, Brooklyn Rail, December/ January ︎ Press! This just in, links below.VogueFamily Style ︎ PenumbraOctober 31 — December 20, 2025 Solo exhibition at&nbsp; Anat Ebgi 372 Broadway, New York More info︎ De blå timmarna (The Blue Hours)20 February — 29 March 2025Solo exhibition at the Cecilia Hillström Gallery Stockholm More info︎ Interview in Harper’s Bazaar Japan On 'DUSK': a Dialogue between Sigrid Sandström and Angela ReynoldsLink to articleLink to the same article in english ︎ CONCRETE INTEREST 18 January – 15 February STORA GALLERIETSKF/ Konstnärshset, Stockholm Group exhibition Katarina Andersson, Monica Höll, Anton Lind, Sigrid Sandström, Stanley Whitney Curated by Magnus af Petersens and Ashik ZamanVernissage lördag 18 januari, kl.13-16 More info ︎ DUSKJanuary 17 — March 22, 2025 PerrotinTokyo Piramide Building, 1F, 6-6-9 Roppongi, Minato-ku More info <img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/26887a5fccd00713cd165358943f59a75122fb8c72d498059f1683875e8a7804/OPENING_Sigrid-SANDSTROM--1-copy.jpeg" data-mid="223586324" border="0" src="https://freight.cargo.site/w/1000/i/26887a5fccd00713cd165358943f59a75122fb8c72d498059f1683875e8a7804/OPENING_Sigrid-SANDSTROM--1-copy.jpeg" /> ︎ AFTERIMAGES September 13 — October 19, 2024 PerrotinShanghai 3/F, 27 Hu Qiu road, Huangpu district Link to showMore info PDF <img width="1404" height="935" width_o="1404" height_o="935" data-src="https://freight.cargo.site/t/original/i/6efa7e25781c6beabeae8f904651545c9d6df3c8e1e2690f6ba9162f2e96af44/Screenshot-2024-07-31-at-20.02.35.png" data-mid="215612979" border="0" src="https://freight.cargo.site/w/1000/i/6efa7e25781c6beabeae8f904651545c9d6df3c8e1e2690f6ba9162f2e96af44/Screenshot-2024-07-31-at-20.02.35.png" /> ︎ <img width="2656" height="1798" width_o="2656" height_o="1798" data-src="https://freight.cargo.site/t/original/i/43e5c24a1104badf262d4566b23b3473f8ec405902da4c8c96384c6f726913de/Unknown.jpeg" data-mid="198289407" border="0" src="https://freight.cargo.site/w/1000/i/43e5c24a1104badf262d4566b23b3473f8ec405902da4c8c96384c6f726913de/Unknown.jpeg" />LAUNCH:&nbsp;LANDSCAPE REVISITED – TEN CONJUNCTIONS OF ART AND LANDSCAPE Monday 4.12.2023 at 16–18 Welcome to the launch of Landscape Revisited – Ten Conjunctions of Art and Landscape – an anthology that explores how our relation to and understanding of 'landscape' have shifted over time. At the launch Sigrid Sandström, Hanna Johansson, Riikka Stewen, Minna Långström and Samir Bhowmik will present their articles that are included in the publication. After the presentation there is time for discussions and socializing – coffee, juice and some snacks provided! Landscape Revisited draws its material from the Landscape Today symposium, which took place in October 2021 at The Academy of Fine Arts, Uniarts Helsinki. The book takes the format of a reader, providing material that explores how our relation to and understanding of 'landscape' have shifted over time. What are the most urgent issues that landscape confronts now, and how do these issues connect and position themselves in relation to earlier moments in art history? Landscape as an artistic practice has consistently been used as a formula or model for various ideologies. Our understanding of landscape, and the meanings we project onto it, are in continuous flux, changing with the ideas of the moment. The 'raw material' of landscape art, the world itself (both terrestrial and atmospheric) is also in flux. How has landscape adapted beyond wonder at the 'natural world', becoming the witness to changes brought about by human actions? Landscape Revisited presents ten 'conjunctions of art and landscape' that approach these questions from across the spectrum of contemporary criticism and practice. Landscape Revisited –&nbsp;Ten Conjunctions of Art and Landscape Writings from the Academy of Fine Arts (10). 2023 Ed. Sigrid Sandström ISBN 978-952-353-443-8 (printed) ISBN 978-952-353-444-5 (pdf) ISSN 2242-0142 The publication is available in the University of the Arts publication archive Taju as an open access publication: https://urn.fi/URN:ISBN:978-952-353-444-5 ︎ ART021 SHANGHAI CONTEMPORARY ART FAIR November 9 — 12, 2023 Link to event ︎ <img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a3ba17ea97c4780e944bea8dbf280149dc7a28262f7a12803943dcae45470545/Sigrid-Sandstrom_SS1086_1682795984.jpg" data-mid="182536794" border="0" src="https://freight.cargo.site/w/1000/i/a3ba17ea97c4780e944bea8dbf280149dc7a28262f7a12803943dcae45470545/Sigrid-Sandstrom_SS1086_1682795984.jpg" /> JANUS July 7 — August 19, 2023 Anat Ebgi 6150 Wilshire BlvdLos Angeles, CA 90048 Anat Ebgi is pleased to present Janus, a solo exhibition of new paintings by Swedish artist Sigrid Sandström. The exhibition will be on view at 6150 Wilshire Blvd, from July 7 through August 19, 2023. An opening reception will take place Friday, July 7 from 5 – 8pm. More info ︎ <img width="1000" height="971" width_o="1000" height_o="971" data-src="https://freight.cargo.site/t/original/i/b363f1ed373dec91f9f8604a1fdcdf273958d8a5be32c0fd52ee3a2a04ada1c6/Wave60x60-inches151x151cmIMG_7318.jpg" data-mid="175607748" border="0" src="https://freight.cargo.site/w/1000/i/b363f1ed373dec91f9f8604a1fdcdf273958d8a5be32c0fd52ee3a2a04ada1c6/Wave60x60-inches151x151cmIMG_7318.jpg" /> Anat Ebgi The Dallas Art Fair, Dallas, Tx April 20 — 23, 2023 Fashion Industry Gallery, Booth F25.Anat Ebgi is pleased to present a curated selection of works by Jessica Taylor Bellamy, Tammi Campbell, Amie Dicke, Alec Egan, Caleb Hahne Quintana, Jen Hitchings, Greg Ito, Karyn Lyons, Jane Margarette, Soumya Netrabile, Joshua Petker, Neil Raitt, Gideon Rubin, Sigrid Sandström, Krzysztof Strzelecki, Samantha Thomas, Janet Werner, and Ming Ying. ︎ <img width="840" height="1051" width_o="840" height_o="1051" data-src="https://freight.cargo.site/t/original/i/e5551163c3bb284af49ccd765dd97e13fb35574f4b9c514116bb84a40328e6e4/unnamed.gif" data-mid="172097333" border="0" src="https://freight.cargo.site/w/840/i/e5551163c3bb284af49ccd765dd97e13fb35574f4b9c514116bb84a40328e6e4/unnamed.gif" /> On International Women's Day we're pleased to highlight 𝗪𝗵𝗮𝘁’𝘀 𝗨𝗽 / 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴 | 𝙒𝙤𝙢𝙚𝙣 𝙞𝙣 𝘼𝙗𝙨𝙩𝙧𝙖𝙘𝙩𝙞𝙤𝙣 featuring works by Sigrid Sandström and Molly Lowe, curated by @lawrencevh on view at the iconic Pedder Building.From the pioneers of the movement to the new vanguard of female painters working today, the exhibition brings together an array of exceptional abstract works from the 1960s to the present. 𝔸𝕣𝕥𝕚𝕤𝕥𝕤 𝔽𝕖𝕒𝕥𝕦𝕣𝕖𝕕:Rita AckermannKristy M ChanSarah CrownerHelen FrankenthalerLynne Mapp DrexlerDonna HuancaCamille HenrotLoie HollowellRachel JonesMolly LoweYayoi KusamaJoan MitchellA’Driane NievesMariana OushiroSigrid Sandström ……………… • Full pdf-file of the event •&nbsp;Link to event ︎ Sveriges Radio —&nbsp;P1 Kultur Lyssna på repotaget här: https://sverigesradio.se/avsnitt/sigrid-sandstrom-gor-det-smaltande-arktis-till-gatfull-konst ︎ <img width="1000" height="959" width_o="1000" height_o="959" data-src="https://freight.cargo.site/t/original/i/b1510fae147f77c5ca529e398c379e5b71856b35f2b15e0dc3679a7f1881fa52/x1000w-Janus-D2--akryl-pa-duk--200-x-200-cm--2022.jpg" data-mid="159817938" border="0" src="https://freight.cargo.site/w/1000/i/b1510fae147f77c5ca529e398c379e5b71856b35f2b15e0dc3679a7f1881fa52/x1000w-Janus-D2--akryl-pa-duk--200-x-200-cm--2022.jpg" /> Sigrid Sandström — Under tiden 3 december 2022 — 10 april 2023 Vandalorum Museum för Konst och Design&nbsp;Värnamo, Sweden.&nbsp; Link to event Vandalorum har glädjen att till vintern presentera en soloutställning av den internationellt etablerade svenska konstnären Sigrid Sandström. Sandström kommer att inta museets största lada med en serie nya monumentala målningar, fritt hängande i rummet. För första gången skapar hon verk på duk som är avsedda att upplevas från båda håll, med en fram- och baksida av samma dignitet. I utställningen visas även två grupper av målningar från det senaste året, med inbördes dialog. Sandström har sedan debuten för drygt två decennier sedan, konsekvent utforskat måleriets förutsättningar och begränsningar. Med tiden har hennes storskaliga, avskalade landskap blivit allt mer abstrakta. Hon arbetar med att framgångsrikt tänja på måleriets grundelement: duken, färgen och appliceringsmöjligheterna. Det flyktiga och obestämbara spelar en viktig roll i Sandströms måleri. Verken upplevs sällan som statiska utan som varande i ständig rörelse. Vad som ena stunden kan framstå som ett formmässigt experiment på ytan, kan i nästa övergå till en illusion av svindlande djup. Hennes verk har sällan en självklar riktning, vilket bidrar till känslan av föränderlighet. Detta, kombinerat med Sandströms färgval — där naturens dämpade gråskalor ofta ställs mot strålande, klara nyanser — får verken att närmast vibrera. Till utställningen publiceras en katalog med en nyskriven text av den tyske författaren och konstskribenten Martin Herbert samt nytagna bilder av fotograf Patrik Lindell. Rubin, Birgitta, "Spännande spökbilder och smart design på Vandalorum", DN, Jan 7 2023 https://www.dn.se/kultur/spannande-spokbilder-och-smart-design-pa-smalandska-vandalorum Rubin, Birgitta, "Måleriet pulserar av liv", DN.s kritiker väljer 5 favoriter, DN, Jan 15&nbsp;2023 https://www.dn.se/kultur/dns-kritiker-valjer-fem-favoriter-vecka-2-2/ <img width="1000" height="1330" width_o="1000" height_o="1330" data-src="https://freight.cargo.site/t/original/i/a255cb683cbc4c2c93fdb0f274c26b6b13bf6fa35c8060c92967620a72780161/1.jpg" data-mid="165133128" border="0" src="https://freight.cargo.site/w/1000/i/a255cb683cbc4c2c93fdb0f274c26b6b13bf6fa35c8060c92967620a72780161/1.jpg" /> ︎ Sigrid Sandström / Felt Paint – Activity and ThingSept 22, 2022 Oslo National Academy of the Arts In this lecture Sigrid Sandström will reflect on the role time and place has played, and is playing, in her painting practice. Painting somehow always lingers between its “thinginess” and the activity that precedes that thing. A slippery slope dried up. A painting is to me an object of experience, a time capsule stored with information, a thought-thing.In this lecture I will reflect on the role time and place has played, and is playing, in my painting practice. I will discuss painted pictorial places within the paintings, as well as the surrounding exhibition places/ spaces in which the paintings are exhibited. I will also focus on the activity of paintings as a passage of time, manifested through the traces and records of a previous activity. Painting thus is where present and past tense meet.The older I get the less I seem to know what my paintings are "about", I experience a kind of visual amnesia at times, and instead I am aiming for some other experiential approach to time. I paint to kill time and to understand time. And maybe to mark time. This lecture is a part of the public program at the academy of fine art, and the talk will be led by professor Melissa Gordon. All talks are free and open to all, you can find the full program here: https://artacademycalendar.khio.no/ ︎ Sigrid Sandström: Recent PaintingsJuly 23 — August 27, 2022 Inman Gallery 3901 Main Street Houston, TX 77002 Inman Gallery is pleased to present a selection of new paintings by Sigrid Sandström.&nbsp; <img width="750" height="755" width_o="750" height_o="755" data-src="https://freight.cargo.site/t/original/i/74740636b98d9b712c401c249df6e80a8954ff7aa53ec386b67ea203ca5e4e58/ss-303_stung_48x48_original_crop-updated.jpg" data-mid="151102355" border="0" alt="Sigrid Sandstr&ouml;m, Stung, 2021 oil on canvas 49 1/4 x 49 in (125.1 x 124.5 cm) framed" data-caption="Sigrid Sandström, Stung, 2021 oil on canvas 49 1/4 x 49 in (125.1 x 124.5 cm) framed" src="https://freight.cargo.site/w/750/i/74740636b98d9b712c401c249df6e80a8954ff7aa53ec386b67ea203ca5e4e58/ss-303_stung_48x48_original_crop-updated.jpg" /> ︎ If you forget my name, You will go astrayJune 25 — August 13, 2022 Anat Ebgi 4859 Fountain AveLos Angeles, CA 90029 Anat Ebgi is pleased to announce If you forget my name, You will go astray. The exhibition will be on view June 25 – August 6, 2022 at 4859 Fountain Avenue. An opening reception will take place, Saturday, June 25, from 5-8 pm. Alison HallCarmen NeelyClaire ColetteErica MaoGwen HollingsworthGwen O’NeilHannah BrownInka EssenhighJen HitchingsJenny MorganJoani TremblayJulia Jolinn meyersMichelle BladeMónika KárándiSamantha ThomasSarah Ann WeberSarah LeeSigrid SandströmSoumya Netrabile ︎ Intersect Aspen July 31 — August 4, 2022 Anat EbgiBooth B2 <img width="750" height="752" width_o="750" height_o="752" data-src="https://freight.cargo.site/t/original/i/0307be59f47f4da241673912c6178e38453b7fa06e754847f32f9f76c7e1059e/Sigrid-Sandstrom_SS1072_1658878049.jpg" data-mid="151101394" border="0" alt="Sigrid Sandstr&ouml;m, Calor, 2021 Acrylic on canvas, framed 60 x 60 inches / 152.4 x 152.4 cm" data-caption="Sigrid Sandström, Calor, 2021 Acrylic on canvas, framed 60 x 60 inches / 152.4 x 152.4 cm" src="https://freight.cargo.site/w/750/i/0307be59f47f4da241673912c6178e38453b7fa06e754847f32f9f76c7e1059e/Sigrid-Sandstrom_SS1072_1658878049.jpg" /> <img width="750" height="500" width_o="750" height_o="500" data-src="https://freight.cargo.site/t/original/i/306775599ce098711fc2300d9d47571976f2f607672707f14052b059ee149ea7/fountain12-small-1200x800.jpg" data-mid="151101392" border="0" src="https://freight.cargo.site/w/750/i/306775599ce098711fc2300d9d47571976f2f607672707f14052b059ee149ea7/fountain12-small-1200x800.jpg" /> ︎ New Book Published by Anat Ebgi Gallery More info <img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/fb97750c4036bd2631e4413354e90ec5674bfde46ef645b87220374cd21d9ed0/IMG_2921.jpg" data-mid="144392512" border="0" src="https://freight.cargo.site/w/1000/i/fb97750c4036bd2631e4413354e90ec5674bfde46ef645b87220374cd21d9ed0/IMG_2921.jpg" />︎ Radical Distance Cecilia Hillström Gallery, Stockholm 24 February – 2 April 2022 We are pleased to present Sigrid Sandström’s third solo show at the gallery, Radical Distance, which is also her largest show at the gallery to date. For the exhibition, Sandström has created floating spaces in which the figures are detached from the ground. The circle is a recurring theme in the paintings, suggesting the shapes of the moon, the sun or a simple dot. The circle also triggers a mental image alternating between a shape and a globe. As a young painter, Sandström started out in the late 90’s painting large-scale uninhabited landscapes with moons depicting a sense of scale and distance as well as indicating a passage of time. Those paintings were stemming out of a desire for a re-direction towards somewhere beyond her immediate self. These earlier paintings were made prior to the general awareness of the intensity of the climate crisis, prior to the new materialist writings, prior to any general concern with the Anthropocene and as until the other day prior to the agreement on a nuclear final repository. For Sandström, the emotional involvement and concerns regarding her immediate surrounding are still strong, but coming from a different angle, at a different age in a different time. For the past year, Sandström has painted on raw cotton canvas, in contrast to the smooth polyester canvas she used in her gallery exhibition Dry Maars (2019). Some paintings have their backs presented as a reversed front, becoming faint echoes of themselves. The paintings literally develop during the process, where making imprints by using dyed cloth is an important part – suggesting a process which combines chance and control. The exhibition also features small frescos adjacent to the paintings on canvas. Fresco is an ancient technique of mural painting where pigment mixed with water when added to a fresh (wet) lime plastered surface result in a chemical reaction where the painting becomes an integral part of the wall. The medium of fresco implies a certain level of permanence through its structural aspects whereas the paintings on canvas are more transient. Through these different techniques, Sigrid Sandström is making a material inquiry as to how our understanding of, and experience of, time might differ – something that remains continuously slippery and out of reach, and always at a distance. The concept of “site” has always been a concern in Sigrid Sandström’s working process, a search for a destination, for something to appear in order to locate the painting; the place that completes the painting. The depicted places have become more directly tied to the process of the making, unfolding through the sedimentations of the paint, the traces and cracks becoming visual time keys. The word residue– both physical and emotional – seems apt to describe the process. The exhibition is accompanied by a text in Swedish written by Thomas Elovsson. Read the text here. The exhibition runs to 2 April. &nbsp; <img width="2560" height="2560" width_o="2560" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c2479122cac9369c130a2f73978447e2fbf4629c5ef0ed63c09e8cc957c5461e/0424-scaled.jpeg" data-mid="133656928" border="0" alt="Sigrid Sandstr&ouml;m, Backscatter, 2022, acrylics on canvas" data-caption="Sigrid Sandström, Backscatter, 2022, acrylics on canvas" src="https://freight.cargo.site/w/1000/i/c2479122cac9369c130a2f73978447e2fbf4629c5ef0ed63c09e8cc957c5461e/0424-scaled.jpeg" /> ︎ Anat Ebgi The Dallas Art Show, Dallas, Tx November 12 — 14, 2021 A group presentation with works by Tammi Campbell, Alannah Farrell, Sigrid Sandström, Janet Werner, and Sarah Ann Weber. Website ︎ Expedition Konst Prins Eugens Waldermarsudde, Stockholm Oct 30, 2021 — March 20, 2022 Website <img width="1134" height="1129" width_o="1134" height_o="1129" data-src="https://freight.cargo.site/t/original/i/dc93609190875ad7d83b90d2ab3eb51f249a3110822321ecb7a665675c1f52c1/new_DSF0871.jpg" data-mid="122817728" border="0" alt="Bygone acrylics on canvas, 400x400cm, 2021" data-caption="Bygone acrylics on canvas, 400x400cm, 2021" src="https://freight.cargo.site/w/1000/i/dc93609190875ad7d83b90d2ab3eb51f249a3110822321ecb7a665675c1f52c1/new_DSF0871.jpg" /> <img width="1134" height="1008" width_o="1134" height_o="1008" data-src="https://freight.cargo.site/t/original/i/2a843ffbfbeabf167a303b2351d903a322e0f13f864cc8c8053f640b1dd2458f/croppedIMG_0221-1-copy.jpg" data-mid="132205054" border="0" src="https://freight.cargo.site/w/1000/i/2a843ffbfbeabf167a303b2351d903a322e0f13f864cc8c8053f640b1dd2458f/croppedIMG_0221-1-copy.jpg" /> <img width="1134" height="807" width_o="1134" height_o="807" data-src="https://freight.cargo.site/t/original/i/65e476253072e1603e18b71504a3d300200fb5802cb4ffa0b696b57376bf94e9/IMG_0224-copy.jpg" data-mid="132205056" border="0" src="https://freight.cargo.site/w/1000/i/65e476253072e1603e18b71504a3d300200fb5802cb4ffa0b696b57376bf94e9/IMG_0224-copy.jpg" /> ︎ ANAT EBGI The Armory Show, New York September 9 — 12, 2021 Javits Center, Booth 230 ︎ Recent publication with contribution by Sigrid Sandström: &nbsp; &nbsp; &nbsp;Artful Objects Graham Harman on Art and the Business of Speculative Realism, Sternberg Press eds. Isak Nilsson and Erik Wikberg (contribution by: Daniel Birnbaum, Marcia Cavalcante Pierre Guillet de Monthoux, Graham Harman, Jenny Lantz, Isak. Nilsson, Sigrid Sandström, Ebba Sjögren, Emma Stenström, Lars Strannegård, Sven-Olov Wallenstein, Jo Widoff, Erik Wikberg) <img width="1134" height="1528" width_o="1134" height_o="1528" data-src="https://freight.cargo.site/t/original/i/8fc493eb79e76ab00d5cbd33343a73d41def39402db86c1a6a8ebf42ec80e820/Handels1.jpg" data-mid="118255001" border="0" src="https://freight.cargo.site/w/1000/i/8fc493eb79e76ab00d5cbd33343a73d41def39402db86c1a6a8ebf42ec80e820/Handels1.jpg" /><img width="1134" height="1528" width_o="1134" height_o="1528" data-src="https://freight.cargo.site/t/original/i/b6855f26716f7be918631d5c0d579ecf1d40d2be62ee66715d526695cbaa6d8d/Handels2.jpg" data-mid="118255002" border="0" src="https://freight.cargo.site/w/1000/i/b6855f26716f7be918631d5c0d579ecf1d40d2be62ee66715d526695cbaa6d8d/Handels2.jpg" /> ︎ &nbsp;World of Art — Contemporary Painting Suzanne Hudson,&nbsp;Thames &amp; Hudson, 2021 Sigrid Sandström included in new publication on contemporary painting edited by Suzanne Hudson <img width="1134" height="1350" width_o="1134" height_o="1350" data-src="https://freight.cargo.site/t/original/i/8a99df05e7c31c5aae080cecd3242bdfbc8e06bdca857c6c16dc78ace6e35dfa/suzanne_Hudson1.jpg" data-mid="118255003" border="0" src="https://freight.cargo.site/w/1000/i/8a99df05e7c31c5aae080cecd3242bdfbc8e06bdca857c6c16dc78ace6e35dfa/suzanne_Hudson1.jpg" /> ︎ Artforum2021 Anat Ebgi is pleased to present Figure Ground, an exhibition of new paintings by Swedish artist, Sigrid Sandström. This is Sandström's fourth solo exhibition with the gallery and is accompanied by a text written by artist Amy Sillman. https://www.artforum.com/artguide/anat-ebgi-7813/figure-ground-192478 ︎ Boksläpp &amp; Samtal, Malmö KonsthallFörsvinnandets förbindelser — En mobil samling 22 Maj,&nbsp;2021. Kl 14 — 16 |&nbsp;Website Försvinnandets förbindelser – en mobil samling är ett samtal i bokform mellan konstnären och poeten Jenny Kalliokulju och konstnären Sigrid Sandström som kretsar kring arkiv, geologi och landskap som utgångspunkt för konstnärliga metoder. Boken handlar även om vägskälens betydelse för konstnärligt skapande. För att fira utgivningen har de bjudit in författaren och poeten Åsa Maria Kraft till ett samtal. Kraft har nyligen utkommit med diktboken Grus som berör omöjliga resor, flyktvägar och hemkomster. De båda publikationerna tar sig på olika sätt an platser och historier. Samtalet arrangeras av Den platta jorden – nätverk för konstnärligt utforskande av Skåne. Julia Björnberg och Anna Johansson från nätverket modererar samtalet. Försvinnandets förbindelser – en mobil samling är resultatet av det konstnärliga forskningsprojektet ”Vägskäl och sidospår – empiri, erfarenhet och upplevelse i den konstnärliga processen” (Jenny Kalliokulju &amp; Sigrid Sandström, Kungl. Konsthögskolan 2018–2020). <img width="892" height="1024" width_o="892" height_o="1024" data-src="https://freight.cargo.site/t/original/i/6e3acdf33e5cd3182c9794d14c790473e8c570c85dd73f3f78093f9a202dd0b1/test2-892x1024.jpg" data-mid="119369730" border="0" src="https://freight.cargo.site/w/892/i/6e3acdf33e5cd3182c9794d14c790473e8c570c85dd73f3f78093f9a202dd0b1/test2-892x1024.jpg" /> <img width="186" height="271" width_o="186" height_o="271" data-src="https://freight.cargo.site/t/original/i/be167804882ac60e6d6c3a5ea6087909fc2c147d14185cf4512a9b80ab21315d/download.jpg" data-mid="119366498" border="0" src="https://freight.cargo.site/w/186/i/be167804882ac60e6d6c3a5ea6087909fc2c147d14185cf4512a9b80ab21315d/download.jpg" /> ︎Solo Exhibition at Anat Ebgi, Los Angeles, CAMarch 13 — April 24, 2021 Website <img width="1800" height="1817" width_o="1800" height_o="1817" data-src="https://freight.cargo.site/t/original/i/e916c1d7d5fe020231de59ea0cbed7557c9615692ef1fa9e4c58f3054ba1b98a/Sigrid-Sandstrom_SS1052_1615588957.jpg" data-mid="117382607" border="0" src="https://freight.cargo.site/w/1000/i/e916c1d7d5fe020231de59ea0cbed7557c9615692ef1fa9e4c58f3054ba1b98a/Sigrid-Sandstrom_SS1052_1615588957.jpg" /> Accompanying text by AMY SILLMAN Nowadays, because of the viral lockdown, I am reduced to peering at small on-screen photographic reproductions of Sigrid Sandström’s new paintings. I wish I could fly to LA to see these paintings big and in person, not to mention fly to see them staged in any of the contexts where Sigrid has lived and worked, like Sweden, the Arctic, the south of France, or even New England. But the expanses and beholdings of these places come through in her work nonetheless. One great effect of Sigrid’s work is the way she stages physical confrontations. Though she musters pictorial terms like measure, perspective, scale and mimesis, she contradicts the grandeur of those classical terms with a visceral, base materiality. You don’t so much stand and “look at” these paintings as you tumble into their terms and are swept up into their activity, as you would be galvanized by a storm-tracking system broadcast on the weather channel with the sound off. In other words, there’s a certain anxiety implicit in them, an organizational clarity around a quality of a stark and silent mystery. Even viewed from my laptop, I can see that her new paintings lay this contradictory picture even more bare and more succinctly rendered. First you notice the individual elements of these pictures: a planet, a moon, a boulder, an iceberg, a swath, a veil, a cloud, a residue, a squiggle. Or just an arm sweep. All nameable things, though somewhat abstract, detached, distant from us. But each thing is organized neatly, like a child’s book of prima materia. Each shape or vapor has its own distinct color:&nbsp; it’s a pale yellow sun, a hot crimson pour, a tin-foil grey imprint, a pink digital notebook squiggle, a smoky trail. These constituent parts are set against a tidy uninflected ground, which would all seem to add up to a vocabulary of différance. But Sigrid has churned these elements up into a kind of primordial disequilibrium. Things are in motion, tipping over, horizonless, upside down or right side up, it’s hard to tell in this vertiginous circulatory system. Things are tumbling around as if they were in celestial dryers. And in fact, the verbs that one can use to describe the action of Sigrid’s paintings (tumbling, sweeping, cycling, churning) are as related to the settings on a blender or a dryer, to domestic chores,&nbsp; as they are to cosmology. So while at first you think of a solar system because of their various planetary orbs, soon you feel implicated in a simulated play of associations, with things let loose, things let go. Some invisible force may be holding these things together but it’s not gravity, and it’s not the ether, there’s no visible horizon, no up or down. So what’s holding the pictures together boils down to a painter’s ground zero, the action on the tableau. The tableau might be a picture plane or just a kitchen table. Or both. The printed forms in her paintings might be distant icebergs seen from the prow of a ship, or just the up-close imprint of skin. Or both. Sigrid proposes paintings that remind us of something, but it might just be a feeling, really: the variable scale at which life is experienced, and the way painting is not specifically instrumental in merely measuring it. The parts and the whole don’t really explain one another, just as tasks and measurements and vanishing points don’t really offer a manual for living. Sigrid embraces a 1970s expanded field of bodily techniques that upend a classical language, including parataxis, performativity, indexes, a flatbed space, pouring, and psycho-mapping. To these gambits she adds her 21st C anxieties and themes, geological time, worries about the Anthropocene, a variety of marks possible as in a digital toolbox, and an even greater ambivalence about the uses and abuses of subjectivity and emotion. Perhaps her overall purpose (and this might be the politics of poetic painting) is to find form for these ideas while keeping the project distinct from information technology, which painting decidedly does NOT boil down to. We feel that even more now, in lockdown. Sigrid’s paintings reveal ideas as pressures, nodes lying in contradiction to other forms of thought– ideas vs. things, ideas vs. experiences, ideas vs. sites– but never ideas as equivalent to the painting itself. Her paintings pithily reveal necessary intimacies and contingencies, in an organized allowance of smears, wipes, and stained fingerprints, a script that is both tactile and ideal written in an abstract language. Her paintings indicate what oceanic feeling might look like, and she gives us materials, both auratic and pragmatic, for casting ourselves in to a generative matrix. Amy Sillman&nbsp;&nbsp;— &nbsp;March 2021 ︎ Once In a Blue Moon, group exhibition at Cecilia Hillström Gallery, Stockholm&nbsp; 15 January — &amp; March, 2021 ︎ Good Company: Pt.1 at Anat Ebgi, Los Angeles, CAAn inaugural group exhbition at the new second exhibition space at 6150 Wilshire Blvd, Los Angeles Dec 5, 2020 — Jan 23, 2021 ︎ CHART Art Fair 2020 De-Centered Aug 28 — 30Solo presentation with Cecilia Hillström Gallery Video of conversation between Sigrid Sandström and fellow artist Lina Selander: http://chgallery.se/sigrid-sandstrom-chart-de-centered-art-fair-stockholm-28-30-august-2020/ ︎ Sounds from the EarthSolo exhibition at Inman Gallery, Houston, TX&nbsp; Jan 17 — Feb 29, 2020 <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/inman-gallery.500x0.png" width="500" height="337" style="width: 500px; height: 337px;"> Inman Gallery is pleased to present a selection of new paintings by Sigrid Sandström entitled Sounds from the Earth. The exhibition will open Friday, January 17, with a reception from 6:00 to 8:00pm, and continues through February 29, 2020. The artist will be present at the opening. For the past 20 years, Sandström has been exploring the power of the painted surface to communicate visual precarity, and to encourage a sense of wonder and exploration in her viewers. The surface of a Sandström painting exists as a vestige, an imprint, evidence of a previous act while also depicting something visually different than its referent. It points to the past while simultaneously unfolding in the present moment.In the early 2000s, while living in Houston as a Core Program Artist-in-Residence at the Museum of Fine Arts, Houston, Sandström depicted the fast-melting glaciers of her Nordic homeland. Attempting to communicate the fluid movement of the glaciers, she made a one-second film, using 24 small paintings. As her work became increasingly abstract, she pursued an experiential practice, in which her imagery emerged out of the painterly process rather than having a specific location in mind. Sandström’s paintings hover between the representational and the abstract and exist in a liminal space, operating on the threshold between the classic idea of the picture as a window into space and the modernist view of the painting as a flat, painterly surface. While presenting the viewer with printed and painted objects on the surface of the picture plane, she nonetheless teases out an illusion of depth and a sense of space behind the objects through their layering. As the artist has noted, her goal has been “to look at AND look through” her compositions. Sandström calls attention to the surface of the canvas only to peel away the flatness, revealing objects that feel as if they are held in suspension.In more recent smaller works, Sandström isolates an object against a deep navy blue ground. The object floats in an indeterminate space without weight or an obvious means of attachment. Transcending their origin as residual marks from a printing activity, they appear as amorphous, undefinable forms. While reductive in scale and palette, these new works focus our attention and insist on the presence of the object in space, worthy of inspection and study. While living in Houston, Sandström discovered the work of Texas modernist Dorothy Hood (1919–2000). Haiti, one of the grand Hood paintings owned by the Museum of Fine Arts, Houston, was a revelation to the young artist. Sandström recalls:“I was knocked out by the monumentality of it and intimidated by the crisp perfection. It was just mesmerizing perfection! It just sat there so perfectly balancing between chance and utmost control.”In the south gallery, Sounds from the Earth (also the title of a Hood painting) unfolds as an homage to the late modernist master, featuring Hood’s mid-1990s painting Yellow Stripe* along with a group of small Sandström paintings mounted on metal stands. Sandström’s interest in Hood is as much about Hood’s approach to life and her belief in the importance of painting as a tool of communication as it is about the paintings themselves. She says:“Dorothy’s paintings are serious to the extent that they run the risk of not being taken seriously. She believed in them, they are confident, and yet importantly, she was humble to the fact that she is human. She was someone who dared asking the larger questions through painting. I find her faith in painting moving, inspiring and powerful.” ︎ Featured in Divan magazine Nr 3-4 2019 (Swedish)&nbsp; LINK︎ Träden står ljust gröna: Landskapsmåleri då och nuBonniers Konsthall 22 Jan — 29 March 2020 <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/the-trees.png" width="762" height="410" style="width: 762px; height: 410px;"> THE TREES, LIGHT GREEN: LANDSCAPE PAINTING – PAST AND PRESENT https://bonnierskonsthall.se/utstallning/traden-star-ljust-grona-landskapsmaleri-da-och-nu/ <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/dsf8193-1536x960-1.1133x0.jpg" width="1133" height="708" style="width: 1133px; height: 708px;"> ︎ Dialog 9 Konsthallen Trollhättan Nov – 22 Dec 2019 http://www.periferi.nu/#filter=.utstallningar Press https://www.bohuslaningen.se/nyheter/v%C3%A4stsverige/konstn%C3%A4rerna-l%C3%A4r-av-varandra-1.20215584 Sextett med spännvidd, recension i Alba av Britt Nordberg https://www.alba.nu/sidor/35517 Exhbition cataloue available at Konsthallen Trollhättan ︎ Sigrid Sandström &amp; Jenny Kalliokulju Galleri Thomas Wallner Simris 7 sep — 13 okt 2019. Vad gör krusningen? Utställningen. En kollision av lager, linjer och former någonstans mellan det materiella och eteriska. Det som gör krusningarna började som en bild eller idén om en linje, som blir till cirkel. Linjen som skiljer bottnar från varandra. Linjen som skiljer havets lagringar och himlens stegringar. Ännu en horisont att trilla över. Horisonten är en orm. Ouroboros som biter sig i svansen och blir ett svart hål i det oändliga. Den formlösa oredan som omger den ordnade världen och orsakar dess periodiska förnyelse. Och så Gertrude Stein som skriver som skriver som skriver om skrivandet, eller något annat, kanske drömmen?Havsbottnen drömmer. Dyner formas långsamt av små parallella pågåenden, vågorna och långsamma strömmar. Plötsligt krusas ytan, en sjöfågel tappar ett snäckskal i havet. Ett litet plums som vänder spegeln i cirklar. Någon kittlar den oceaniska magen. En liten havssnigel, knappt synlig under sanden. Vilse mellan plaskets solkatter, dess virriga spår formar en labyrint för oss att följa.Den här utställningen är ett resultat av en pågående dialog mellan konstnärerna Jenny Kalliokuljo &amp; Sigrid Sandström. Tankar kring glömska, geologiska tidsrymder, andra livsformer, klimatångest, översättningar och tolkningar, systematik och slump. Om hur oväntade situationer plötsligt uppstår och om nya verk. http://www.gallerithomaswallner.com/exhibitions?lang=en ︎ Event HorizonMarie Søndergaard Lolk, Sigrid Sandström &amp; Hulda Stéfansdóttir at BERG Contemporary August 10 — September 7 Klapparstígur 16, 101 Reykjavik One of the main attributes of non-representational painting in modern art could be called the absence of a recognizable picture or image. Non-representational works have been described as silent or empty: emptied of any obvious narrative and any stable meaning of color or form; emptied to the point of zero. That point may open up the possibility of creating meaning – not least through an active reception – a possibility that revolves around the properties and materiality of the painted work and the perception, creative process and methods of the painter. Another way of thinking about such processes, is to focus on the dynamic relationship between the picture plane and the negative pictorial space. This approach reveals that the picture – the recognizable image – is only absent in the sense that its traces are active within one‘s consciousness and in the construction of meaning that its absence sparks. It is the negative space that lends meaning to the “positive“, i.e. the shapes that appear on the picture plane. In figurative artworks, we tend to read negative pictorial space as the background of the work‘s imagery. As a key element in abstract works, on the other hand, it requires an active interpretation of the inconclusive intersection between the picture plane and the negative space, on the border between an image and its absence. This also reveals the complexity of the phenomenon sometimes called “depth“ in painting. The exhibition Event Horizon presents dialogues between abstract works by three artists:, Hulda Stefánsdóttir, Sigrid Sandström and Marie Søndergaard Lolk. The term “event horizon“ refers us to the surface element of black holes, the liminal field where the gravity pull of black holes enables them to devour light. The term captures the event when visible matter (matter emanating light) disappears; the vanishing point when material is transformed as it merges with the void of the black hole. Event Horizon also alludes to a research project that recently lead to the publication of the first photograph of a black hole. How is it possible to picture a void? The image turns out to be a technically assembled product from numerous telescopes and it shows the liminal field as a slightly blurred, orange-hued ring around a gap that can also be perceived as a large, black dot. The visibility of the black hole derives from the visible phenomena (probably including so-called “dark matter“) that have passed into its gravitational grasp. The photograph, therefore, is double-edged: the luminous circle can be viewed as the negative space that enables us to see “the picture“, that is, the black hole itself. On the other hand, we tend to observe this ring – the surface of the black hole – as a positive figure on black ground and the black hole itself as its opposite, the negative space. This convoluted function of the photograph feeds directly into the subject matter that Stefánsdóttir, Sandström and Søndergaard Lolk are grappling with in this exhibition. In their works, the three artists tackle an event horizon in the sense that the imagery dwells on the edge of visibility, on the boundaries of image and its disappearance. Their methods involve deferred meaning, withdrawal, resistance, displacement and inversion. Repetition and mirroring propel imagery out into the exhibition space. The boundaries between image, picture plane and background/foundation, between original and copy, between a work and its surrounding space are vague and intricate. Figuratively speaking, one could think of the black hole as point zero, the void that pulls, the ultimate negative space that lends meaning to everything, although it is ultimately the spectator‘s task to „figure out“ what that meaning is or could be. The artists‘ work takes place at the event horizon, where visible signs affirm their fragmentary existence, even as they are on the verge of disappearing.— Anna Jóa <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/berg.png" width="196" height="210" style="width: 196px; height: 210px;"> Klapparstígur 16101 ReykjavíkIceland http://bergcontemporary.is ︎<img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/87419766-7wyr1.jpg" width="488" height="690" style="width: 488px; height: 690px;"> ︎ <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/dallas-artfair.300x0.png" width="300" height="373" style="width: 300px; height: 373px;">︎ Solo Exhibition Dry Maarsexhibition at Cecilia Hillström Gallery Opening Saturday 30 March 12.00 — 16.00 As a painter, Sigrid Sandström has continuously been exploring site as a concept as well as emotional experience. Over time, the depicted large-scale, barren and uninhabited landscapes have become more abstract. This time, a residency in the south of France is a starting point for her work. Living and working in the house of Dora Maar for a month, Sandström’s paintings emerge step by step; a process imbued by impressions of the surrounding landscape. By coincidence, the name Maar leads us to the geological phenomenon maar, a low-relief volcanic crater caused by an explosion when water comes into contact with hot lava. They are typically filled with water, but a dry maar is a dried-up remnant of a violent event. Perhaps Sandström’s paintings are closely tied to the turbulent history of the earth, its millions of years of draughts, floods and geological catastrophes. On the other hand they can just as much be presages of what is to come. Sandström’s paintings carry an immediateness, creating a suspension of time. It is in this gap that we are caught off guard –uncertain of time and space –in front of her works. <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/sandstrom.700x0.jpg" width="700" height="796" style="width: 700px; height: 796px;"> Cecilia Hillström Gallery&nbsp; Hudiksvallsgatan 8, Stockholm&nbsp;www.chgallery.se info@chgallery.se +46 707 646568 ︎ PREVIOUS ︎ Welcome to Ed.art on Hagagatan 14, Stockholm on Thursday 14 March 5-7 pm, when we present the new monotypes https://ed-art.se/sv/news/139_Sigrid-Sandstrom https://ed-art.se/en/module/smartblog/details?id_post=139 Vi på ed. art är mycket stolta att lansera åtta nya monotypier av Sigrid Sandström! Sandström är en av våra främsta målare av idag, professor på Kungliga konsthögskolan sedan ett antal år och rikt representerad i våra museisamlingar. Den 14 mars presenterar vi de nya trycken hos oss på Hagagatan 14 och Sigrid Sandström berättar om process och tankar bakom arbetet, som utfördes tillsammans med tryckare Jenny Olsson. Sigrid Sandström diskuterar med tryckare Jenny Olsson i den senares verkstad Tellus i Midsommarkransen Monotypier är unika tryck vars metod ligger nära måleriets. Skillnaden är att konstnären arbetar på en yta, som förs över på papperet genom att köras genom en tryckpress, i stället för att arbetet görs direkt på papperet. Sigrid Sandström har tidigare arbetet med denna teknik och inför varje tryck improviserat fram bilder med hjälp av schabloner och olika slags papper i bitar. Även om varje enskilt blad är unikt finns möjligheten att få så kallade ”eftertryck” och arbeta vidare med dessa till nästa blad. Det innebär att det ofta finns en kedja av grafiska blad som avspeglar varandra i någon mån. De kan ses som omtagningar, alternativa varianter utifrån en och samma utgångspunkt; en effekt av eko, som vaga visuella minnen som omförhandlas och blir nya bilder. Hur blir avtrycket? Bilden som uppstår när tryckmediet färgats in och körts genom pressen mot papperet blir helt egen, men ändå ett eko av "originalet". Även i sitt måleri arbetar Sigrid Sandström med tryck; målningarna byggs upp i olika partier och utsnitt som trycks för hand med olika material. Den överraskning som infaller när det som använts som tryckmedium tas bort, och blottlägger själva avtrycket, har blivit avgörande för konstnärens hela arbetsprocess, där slump varvas med noggrant överlagda beslut. Många olika tekniker har använts för att få fram trycken, bland annat collografi, där Sigrid Sandström byggt upp "plåtar" av olika material, vilka sedan färgats in och gjort avtryck på papperet Utgångspunkten för det senaste projektet var att göra stora tryck och hitta en slags transparens i färgen, eftersom det ger möjlighet att jobba med papprets vithet som ljuskälla. Olika material användes i tryckprocessen, såsom aluminiumfolie, tyg (tarlatan) och plastfolie med tunt valsad färg. Sigrid Sandström har arbetat medvetet med just avtrycket – bilder som omedelbart påminner oss om att det är just ett avtryck vi tittar på, något som inte längre är där. Bilden som ett spår. I de här fallen är förlagan visuellt något helt annat än avtrycket. För även om avtrycket avspeglar förlagan är bilden som uppstått helt egen. Avtrycket både redovisar bakåt i tiden och är en helt ny bild. https://ed-art.se/sv/news/139_Sigrid-Sandstrom VÄSTERÅS KONSTMUSEUM - KARLSGATAN 2 -&nbsp; vasteraskonstmuseum.se Sigrid Sandström – Föreställningar <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/sigrid-sandstrom-sisa_0111.jpg" width="700" height="362" style="width: 700px; height: 362px;"> Utsnitt av verk. © Sigrid Sandström 8 DEC - 10 FEB 2019, 12:00 - 16:00 För Sigrid Sandström är måleriet ett utforskande i färg. Genom tekniker som tryck, måleri och tejpning, bygger hon upp sina målningar till komplexa rymder – experiment som växer fram i en växelverkan mellan slump och kontroll. För Sandström är upplevelsen och läsningen av måleriet en komponent som driver fram nya konstnärliga beslut och förhållningssätt till konsten. Hennes målningar är som vibrerande gränsland mellan konstnären och betraktaren där bägge projicerar sina upplevelser, erfarenheter och minnen. I utställningen på Västerås konstmuseum pågår ett experiment som grundar sig i Sandströms intresse för ögats seende; betraktarens blick och upplevelse av den målade ytan. Besökaren inbjuds att vara en aktiv del i färdigställandet av utställningen genom ögats seende och medvetandets formande av en personlig föreställning. Sigrid Sandström (f.1970) är utbildad vid bl a Yale University School of Art, USA. Hon är professor i måleri vid Kungliga Konsthögskolan i Stockholm där hon bor och verkar. Föreställning (substantiv -en, -ar) uppfattning, aning, inbillning, fantasibild, framförande, skådespel vasteraskonstmuseum.se Artist talk with Sigrid Sandström and Suzanne Hudson&nbsp;(in English)&nbsp; 2018 DEC 12 , 18:00 - 19:00 -&nbsp; LINK Review in the Swedish radioprogram Kulturnytt: https://sverigesradio.se/sida/artikel.aspx?programid=478&amp;artikel=7128341 Press: https://www.salaallehanda.com/logga-in/hur-ser-vi-konst-sigrid-sandstrom-undersoker-konstens-optik-i-nya-utstallningen-forestallningar Dessa platser - Skala 1:1, 17.11 - 8.12.2018 GLLERI OLSSON, STOCKHOLM,&nbsp; olssongallery.com Press/ reviews: http://www.kunstkritikk.se/kritikk/en-orm-som-omsar-skinn/?d=se https://www.svd.se/varje-enskilt-verk-ar-som-en-sylvass-tanke http://konsten.net/anna-bjerger-och-sigrid-sandstrom/ ︎ &nbsp; Night Walk,&nbsp; a group exhibition at Inman gallery, Houston, TX. Participating artists: Tomory Dodge, Robert Ruello, Sigrid Sandström, Odessa Staub, Darren Waterston. ︎ “My Vicious Throbbing Heart: Animating Desire in Abstract Painting” a group exhibition at Franklin Street Works in Stamford, CT, &nbsp; and is on view May 26 through September 9, 2018. Curated by Risa Puleo, the exhibition investigates the intersection of abstraction and animism as emphasized by certain formal qualities — goopy, sticky, ooey-gooey or otherwise materially luscious surfaces — in combination with aspects of pattern and repetitions such as flutter, throbbing, palpitation, pulsating, and orgiastic rhythms. In “My Vicious Throbbing Heart,” paintings by &nbsp;Claire Arctander &amp; Latham Zearfoss, Anna Betbeze, Leidy Churchman, Anne Cousineau, Keltie Ferris, Matt Morris, Carrie Moyer, Lisi Raskin, Sigrid Sandstrӧm, Laurel Sparks, and Molly Zuckerman-Hartung&nbsp;&nbsp;take the forms of videos, installations of colored fabric and potpourri, a rope and rock assemblage, alchemical experiments on canvas and the gallery floor, and charred and dyed fur. The artists luxuriate in materiality while challenging the medium-specificity of painting. ︎ Ett samtal om samtida måleri. Med Martin Herbert och Sigrid Sandström Datum: Onsdag 7 mars, kl 18.00 Plats: Bonniers Konsthall,&nbsp;Torsgatan 19, Stockholm Välkommen på ett samtal mellan konstnären Sigrid Sandström och konstkritikern Martin Herbert om det mångfacetterade samtida måleriet. Samtalet modereras av Yuvinka Medina, programansvarig på Bonniers Konsthall. Kvällen avslutas i vår bistro med postpunkinfluerad pop av det svenska bandet Vulkano. På engelska. ︎&nbsp; <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/kossak.jpg" width="700" height="991" style="width: 700px; height: 991px;"> <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/1240_img_0575.1135x0.jpg" width="1135" height="1495" style="width: 958.107023px; height: 1262px;"> Catalogue for exhibition at Kulturens Hus in Luleå <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/vernissage_kort.680x0.jpg" width="680" height="382" style="width: 680px; height: 382px;"> Vernissage • Sigrid Sandström &amp; Anton Elfving September 02 Kulturens hus Luleå Skeppsbrogatan 17, 971 79 Luleå <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/molnet-1.680x0.jpg" width="680" height="560" style="width: 680px; height: 560px;"> https://varmlandsmuseum.se/utstallning/molnet-the-cloud-of-unknowing/ Spring semester 2017 Visiting faculty at UCLA, Los Angeles, CA http://www.art.ucla.edu/faculty/visiting.html MARKET Art Fair 2017http://www.market-art.se/exhibitors/galleri-gunnar-olsson Group exhibitionMarch&nbsp; 18 — April 23, 2017 Polyfoni 4, group exhibition at Aglleri Thomas Wallner, Simris, Stockholm <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/screenshot_2019-01-24_at_19_44_39.728x0.png" width="728" height="345" style="width: 728px; height: 345px;"> Moon DaysSolo exhibition at Inman Gallery, Houston, TX September 22 — October 16, 2016 ︎ September 7, 2016 at 6pm Book release The Site of Painting with Sigrid Sandström and Daniel Bozhkov at Art &amp; Theory, Mindepartementet, Skeppsholmen, Stockholm <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/sigrid-bok.jpg" width="245" height="311" style="width: 245px; height: 311px;"> ︎ July 30 — August 27 Other Places solo exhibition&nbsp;Anat Ebgi Los Angeles LINK <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/1240untitled_2016_acrylic_on_board_14x11_img_2719.250x0.jpg" width="250" height="315" style="width: 250px; height: 315px;"> ︎ August 21 — October 20 Suzhou Documents: Histories of a Global Hub Suzhou Art Museum LINK <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/sd_logo2607_1_hp.250x0.png" width="250" height="166" style="width: 250px; height: 166px;"> ︎ September 16:&nbsp;Opening solo exhibition, Moon Days Inman Gallery Houston -&nbsp; LINK ︎ <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/between_us_digital-1.1006x0.jpg" width="1006" height="431" style="width: 1006px; height: 431px;"> Opening | Thursday 12 November 17–20 Gallery Olsson Fredsgatan 12 and Cecilia Hillström Gallery Hälsingegatan 43, Stockholm Sigrid Sandström, Between Us Galleri Olsson and Cecilia Hillström Gallery are proud to present Sigrid Sandström’s exhibition Between Us, featuring a series of large-scale paintings in two gallery spaces. Connecting the different gallery districts in Stockholm, the cooperation enables a larger presentation of Sandström’s oeuvre, where she continues her exploration of painting in relation to the viewer and the surrounding space through installations and reflections arranged specifically for each gallery. The windows of the galleries have been covered by yellow transparent film, creating a filter between the exterior and the interior. The intense colour becomes a link between the spaces and is also present in the paintings by Sandström. Paintings and mirrors are installed side by side, enabling an interaction between reflections and illusions. The effect of repetititions and duplications connects the paintings with the space and the viewer, whose movemements are being surveilled, observed and reflected. Sigrid Sandström’s practice is engaged with reflecting on the relationship between the painter, the painting and the viewer. Where, when and why lies focus? Sandström works primarily with painting, through which she has been exploring site as a concept as well as emotional experience. Over time, the depicted large-scale, barren and uninhabited landscapes have become more abstract. Her paintings fail to conform into categories, and continuously explores the ontological conditions and limitations of painting. The indeterminate, or unnamable, plays a central role both in Sandström’s investigative work process and in relation to the viewer. Article about the exhibition in Swedish press: http://www.svd.se/sigrid-sandstrom-i-skickligt-dubbelspel/om/kultur:konst http://konsten.net/sigrid-sandstrom-och-mari-slaattelid/ http://www.omkonst.com/15-sandstrom-sigrid.shtml <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/artityd-sigrid-sandstrom.png" width="652" height="465" style="width: 652px; height: 465px;"> Programinformation Vi träffar konstnärerna Carl Hammoud och Sigrid Sandström som har helt olika uttryck inom måleri. De går till sina ateljéer varje dag, men närmar sig sina verk på helt olika sätt. Hur vet de vad de ska göra, och varför väljer de så olika sätt att arbeta på? http://urplay.se/Produkter/189953-Artityd-ateljen-Maleri Längd: 8:27 Sändes: onsdag 16 sep. 2015 Tillgängligt t.o.m. onsdag 16 mars. 2016 <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/sigrid-wallner.jpg" width="723" height="426" style="width: 723px; height: 426px;"> Article about the exhibition in Swedish press: http://www.sydsvenskan.se/kultur--nojen/konst--form/som-om-vald-begicks/ http://www.ystadsallehanda.se/kultur-noje/galleri-wallner-ebba-bohlin-sigrid-sandstrom/ <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/sigrid-sandstrom-fisk-frisk-1.690x0.png" width="690" height="290" style="width: 690px; height: 290px;"> link -&nbsp; fiskfrisk.com Read or print the article (pdf) Janury 29, 2015 <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/ignorance_bookreleaseinvite.469x0.jpg" width="469" height="625" style="width: 469px; height: 625px;"> Book release: Ingorance Between Knowing and Not Knowing (Axl Books, 2015) Editors: Gavin Morrison, Sigrid Sandström About this title: "Ignorance is an intellectual defect, imperfection, privation, or shortcoming." So begins James Ferrier's "The Agnoiolgy," the section of his treatise, The Institutes of Metaphysic (1854), in which he describes a theory of ignorance. In sympathy with Ferrier, Ignorance between knowing and not knowing concerns the nature of ignorance, its relationship to knowledge and its differentiation from merely not knowing. However, this book additionally considers how different forms of ignorance exert force within the creation and reception of art. These topics are explored through a range of essays drawn from contributors within the fields of philosophy, literary theory, and art criticism. Ignorance provides a reflection in negative to the normative structure of knowledge. It is the absence of knowledge that we "should have." This moral dimension can be seen in the persona, created by the medieval philosopher Nicholas of Cusa, of "the idiot," who is aware of his ignorance yet this awareness brings with it a humility, or the assumed ignorance within the Socratic dialogues. This book traces connections between ignorance within the philosophical realm - as both a strategy within discourse and as an object of inquiry - and how it occurs within art. Particular consideration is paid to art's utilization of ignorance as a means for establishing uncertainty and ambiguity. Within this publication ignorance is not solely understood as a state one seeks to escape from but rather, through its role within art and philosophy, it offers the potential to other forms of articulation and understanding. Contributors: Andrew Bennett, Jonna Bornemark, Elinor Hållén, John Llewelyn, jeanine Oleson, Gavin Morrison, Sigrid Sandström, Barry Schwabsky, Kim West and Olav Westphalen. <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/inbjudan_thinking_through_painting.448x0.png" width="448" height="468" style="width: 448px; height: 468px;"> Thinking Through Painting, part 2 &nbsp;Oct 4-Nov 2, The Royal &nbsp;Academy of Fine Arts, Stockholm Participants: Kristina Bength, Marc Handelman, David Reed, Jan Rydén, Sigrid Sandström, Wendy White, and curator/theorist Jonatan Habib Engqvist. Thinking Through Painting consists of Kristina Bength, Jonatan Habib Engqvist, Jan Rydén and Sigrid Sandström: ”We want to explore painting as way of thinking and creating meaning. We are interested in the alternation specific to painting between on the one hand concept-based thinking in language, and on the other an embodied mode of thinking through material, space, perception and painting as activity. The project is an on-going investigation since 2009 and encompasses workshops, studio visits, travel, meetings and interviews of other artists who work with painting.” In the exhibition at the Royal Academy they have asked the three invited American artists and themselves the question: How would you visualize painting as a mode of thinking within your practice? The exhibition is divided into two periods. <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/1240img_6025.404x0.jpg" width="404" height="269" style="width: 404px; height: 269px;"> <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/img_5947.359x0.jpg" width="359" height="269" style="width: 359px; height: 269px;"> In Studio Talks: Thinking Through Painting (Arvinius+Orfeus, 2014), the group has transcribed, translated and edited long conversations between the group and several of the artists, theorists and other colleagues that we have met these last four years. Among others, they have spoken to: Fredrik Liew, Kristina Jansson, Monika Marklinger, Håkan Nilsson, David Reed, Håkan Rehnberg, Hanneline Rogeberg, Susanna Slöör and Wendy White. The book also holds essays by Jonna Bornemark, Lars-Erik Hjertström Lappalainen and Marcia Sá Cavalcante Schuback. This book is not only a documentation of Thinking Through Painting, it is the hub around which the exhibition and public talks are activated. The book will be released in conjunction to the exhibition´s opening (part two) and generate a number of seminars and talks during the exhibition period, including artist-talks and an improvised lecture on improvisation with the French philosopher Jean-Luc Nancy. <img src="http://www.sigridsandstrom.com/pw/site/assets/files/1010/10518680_1541981289353894_2738223696504911669_n.403x0.jpg" width="403" height="394" style="width: 403px; height: 394px;"> https://sigridsandstrom.com/Paintings-1 Wed, 28 Apr 2021 10:01:28 +0000 Sigrid Sandström https://sigridsandstrom.com/Paintings-1 PAINTINGS 20262025 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2009 2008 2007 2006 2005 2004 2003 2002 https://sigridsandstrom.com/Selected-Exhibitions Tue, 02 Feb 2021 14:12:53 +0000 Sigrid Sandström https://sigridsandstrom.com/Selected-Exhibitions SELECTED EXHIBITIONS2026Squall Solo exhibition at Perrotin, London 2025PenumbraSolo exhibition at Anat Ebgi, New York 2025De blå timmarnaSolo exhibition at Cecilia Hillström Gallery, Stockholm 2025DuskSolo exhibition at Perrotin, Tokyo2024AfterimagesSolo exhibition at Perrotin, Shanghai 2023 JanusSolo exhibition at Anat Ebgi, Los Angeles 2023 Under Tiden / Beneath Time Solo exhibition at Vandalorum Museum för Konst och Design, Värnamo 2022 Recent PaintingsSolo exhibition at Inman Gallery, Houston 2022 Radical Distance Solo exhibition at Cecilia Hillström Gallery, Stockholm 2021 Figure Ground Solo exhibition at Anat Ebgi,&nbsp;Los Angeles 2020 Sounds from the Earth Solo exhibition at&nbsp;Inman Gallery, Houston 2019 Vad gör krusningen? Sigrid Sandström &amp; Jenny Kalliokulju two-person exhibition at Galleri Thomas Wallner, Malmö 2019 Event Horizon Exhibition at BERG Contemporary with Sigrid Sandström, Hulda Stefánsdóttir, Marie Søndergaard Lolk, Reykjavik 2019 Dry Maars Solo exhibition at Cecilia Hillström Gallery, Stockholm 2018 Föreställningar Solo exhibition at Västerås konstmuseum, Västerås 2017 Händelser och tillhåll Solo exhibition at Luleå konsthall, Kulturens hus,&nbsp;Luleå 2017 Molnet – The Cloud of Unknowing Group exhibition at Värmlands Museum, Karlstad 2016 Moon Day Solo exhibition at Inman Gallery, Houston 2016 Other Places Solo exhibition at Anat Ebgi, Los Angeles 2015 Between UsSolo exhibition in two parts at Galleri Olsson &amp; Cecilia Hillström Gallery, Stockholm 2015 X Solo exhibition at Galleri Thomas Wallner, Simris 2014 Thinking Through Painting Part 2, The Royal Academy of Fine Arts, Stockholm 2014 Thinking Through Painting Part 1, The Royal Academy of Fine Arts, Stockholm 2013 Viewfinder Solo exhibition at Inman Gallery, Houston 2012 Leap of SightSolo exhibition at Galleri Olsson, Stockholm 2011 Hide-outs Solo exhibition at Anat Ebgi (formerly The Company), Los Angeles 2010 Sigrid SandströmSolo exhibition at Kajsa och Olle Nymans kulturstiftelse, Stockholm 2009 Cut-Out Solo exhibition at Galleri Olsson, Stockholm 2009 Sigrid Sandström Solo exhibition at Anat Ebgi (formerly The Company), Los Angeles 2008 Mock-Ups Solo exhibition at Galleri Thomas Wallner, Malmö 2008 New Paintings Solo exhibition at&nbsp;Inman Gallery, Houston 2007 Recent PaintingsSolo exhibition at Edward Thorp Gallery,&nbsp;New York 2006 Ginnungagap Solo exhibition at Frye Art Museum, Seattle 2006 Action Solo exhibition at&nbsp;Inman Gallery, Houston 2005 Her Black Flags Solo exhibition at Mills College of Art Museum, Oakland 2005 Outpost Group exhibition at Massachusetts College of Art, Boston 2004 Hrönir Solo exhibition at Galleri Olsson, Stockholm https://sigridsandstrom.com/Texts Tue, 02 Feb 2021 14:15:33 +0000 Sigrid Sandström https://sigridsandstrom.com/Texts Texts about Sigrid Sandström 2026Sofia Hallström for Elephant Magazine 2026 Tom Morton, exhibition text for Squall, Perrotin London 2025Grace Edquist for Vogue Magazine,&nbsp;Sigrid Sandström’s Emotional Landscapes 2025 Paige Haran, Sigrid Sandström: Dusk 2024 Luqi Wang,&nbsp;Sigrid Sandström: Afterimages 2023 Martin Herbert,&nbsp;Yes, No, Maybe: On Sigrid Sandström 2022 Thomas Elovsson, Io, Europa, Ganymedes, Callisto 2021 Amy Sillman,&nbsp;text on Sigrid Sandström's paintings 2019 Nina Weibull,&nbsp;Om blått och blandat och ett "veck" i Sigrid Sandströms måleri — Divan #3-4 – Stockholm 2018 Suzanne Hudson, Föreställningar, exhibition text for Västerås konstmuseum 2017 Mamma Andersson, Min vän Sigrid, katalogtext, Kulturens hus, Luleå 2017 Hans Sundvall, katalogtext, Kulturens hus, Luleå 2016 Jenny Kalliokulju, Exhbition text to Moon Days at Inman Gallery 2016 Jenny Kalliokulju, Exhibition text for Other Places at Anat Ebgi 2016 Zoë&nbsp;Whitley interviews Sigrid Sandström: Painting Between Sound and Silence printed in the publication Sigrid Sandström — The Site of Painting 2016 Risa Puleo, Negation and Embrace: A Few Reflections on the X, Essay for the publication Sigrid Sandström — The Site of Painting 2016 Katia Miroff, After an Explosion, Essay for the publication Sigrid Sandström — The Site of Painting 2015 Eloise Ghioni, in conversation with Sigrid Sandström 2010 En kropp. En enda. Bara en.&nbsp;Katalogtext av&nbsp;Carl-Johan Malmberg&nbsp;för solo-utställning på Kajsa och Olle Nymans kulturstiftelse, 2010. 2010 One body. Just one. One only.&nbsp;Catalogue text by Carl-Johan Malmberg translated by Johan Sandström for a solo exhibition at Kajsa och Olle Nymans kulturstiftelse, 2010. 2004 Ginnungagap – Jamey Hamilton – Houston ︎ Texts by Sigrid Sandström 2020 Sigrid Sandström, Introduction, Material Matters 2017 Sigrid Sandström, Händelser och tillhåll, katalogtext, Kulturens hus, Luleå 2015 Ignorance-Between Knowing and Not Knowing, eds.&nbsp;Sigrid Sandström &amp; Gavin Morrison 2014 Studio Talks – Thinking Through Painting, eds.Kristina Bength, Jonatan Habib Engqvist, Jan Rydén and Sigrid Sandström 2012 Sigrid Sandström, Leap of Sight 2012 Sigrid Sandström, De involverade 2012 Sigrid Sandström, Those Involved 2011 Sigrid Sandström, Notes on Nothing of Painting 2006 Grey Hope: The Persistence of Melancholy, eds. Sigrid Sandström &amp; Atopia Projects https://sigridsandstrom.com/Publications Tue, 02 Feb 2021 14:21:58 +0000 Sigrid Sandström https://sigridsandstrom.com/Publications Publications Landscape Revisited – Ten Conjunctions of Art and LandscapeEdited by Sigrid Sandström, 2023, Writings from the Academy of Fine Arts (10)&nbsp;More info New Book, Published Anat EbgiMore info Material Matters, Painting and Its Materialities Edited by Sigrid Sandström, 2020, Art &amp; Theory &amp; Royal Institute of Art, Stockholm More info Försvinnandets förbindelser —&nbsp;En mobil samling Jenny Kalliokulju &amp; Sigrid Sandström 2018–2020, funded by The Royal Institute of Art, StockholmMore info Sigrid Sandström — The Site of Painting 2016, Art &amp; Theory, Stockholm, monograph More info Ignorance – Between Knowing and Not Knowing Edited by Sigrid Sandström and Gavin Morrison, 2015, Axl Books, Stockholm More info Studio Talks: Thinking Through Painting Edited by Kristina Bength, Jonatan Habib Engqvist, Jan Rydén, Sigrid Sandström, 2014, Arvinius + Orfeus Publishing, Stockholm Grey Hope: the persistence of melancholy Edited by Sigrid Sandström and Atopia Projects, 2006, Northhampton, MA, USA https://sigridsandstrom.com/CV Tue, 02 Feb 2021 14:25:47 +0000 Sigrid Sandström https://sigridsandstrom.com/CV SIGRID SANDSTRÖM b. 1970 in Stockholm Education2001 Yale University School of Art, New Haven, CT M.F.A&nbsp;2000 Skowhegan School of Painting and Sculpture, Skowhegan, ME1997 Academie Minerva, Groningen, The Netherlands B.F.A 1995 The Cooper Union School of Art, New York, NY Residencies/Grants/Fellowships 2023 Stiftung Kunstdepot, Göschenen, Switzerland 2018 Dora Maar House Fellowship, Ménerbes, France 2018 Artistic Research Grant (KFoU), The Royal Institute of Art, Stockholm, Sweden (with Jenny Kalliokulju)2016 Stiftelsen Längmanska Kulturfonden, Stockholm2014 The Royal Swedish Academy of Fine Arts, residency scholarship at &nbsp;Grez-sur-Loing, France2013 Helge Ax:son Johnsons stiftelse2012 Stiftelsen Framtiden (Thinking Through Painting with Kristina Bength, Jonatan Habib Engqvist och Jan Rydén)2011 Artistic Development Work Grant (KU), The Royal Institute of Art, Stockholm2010 Vera och Göran Agnekils stipendium, The Royal Academy of Fine Arts, Stockholm &nbsp; 2008 The Joan Mitchell Foundation: 2008 Painters &amp; Sculptors Grant2008 John Simon Guggenheim Memorial Foundation Fellowship, New York, NY2004 Barbro Osher Foundation, San Francisco, CA 2003 Artadia Award, The Fund for Art and Dialogue, New York, NY 2003 Stiftelsen Längmanska Kulturfonden, Stockholm 2003, 2003 Eliza Randall Prize 2001-03 The Core Fellowship, Glassell School of Art, Museum of Fine Arts, Houston, TX2001 Awarded Fine Art Work Center Provincetown Residency, Provincetown, MA2001 Alice Kimball English Traveling Fellowship,Yale University, New Haven, CT2000 Anna Whitlocks Minnesfond, Stockholm1997 American Society's Culture Award, New York, NY Selected Solo Exhibitions2026 Squall, Perrotin, London 2025 Penumbra, Anat Ebgi, Tribeca, New York, NY 2025 Dusk, Perrotin,Tokyo 2025 De blå timmarna, Cecilia Hillström Gallery, Stockholm2024&nbsp;Afterimages, Perrotin, Shanghai 2023 Janus, Anat Ebgi, Los Angeles, CA2022 Under tiden, Vandalorum Museum för Konst och Design, Värnamo, 3 Dec 2022 – 10 April 2023 2022 Recent Paintings, Inman Gallery, Houston, TX 2022 Radical Distance, Cecilia Hillström Gallery, Stockholm 2021 Figure Ground, Anat Ebgi, Los Angeles, CA 2020 Sigrid Sandström, solo presentation at CHART-DE-CENTERED Art Fair, Stockholm Aug 28-302020 Sounds from the Earth, Inman Gallery, Houston, TX2019 Dry Maars, Cecilia Hillström Gallery, Stockholm2018 Föreställningar, Västerås konstmuseum, Västerås2018 Dessa platser-skala 1:1, Galleri Gunnar Olsson, Stockholm2017 Händelser och tillhåll, Kulturens Hus, Luleå2017 Sigrid Sandström, one-person presentation at Market, Stockholm with Galleri Gunnar Olsson2016 Moon Days, Inman Gallery, Houston, TX2016 Other Places, Anat Ebgi, Los Angeles, CA2015 Between Us, Cecilia Hillström Gallery, Stockholm2015 Between Us, Galleri Gunnar Olsson, Stockholm2015 X, Galleri Thomas Wallner, Simris, Sweden2014 X,One-person presentation at Market, Stockholm with Gunnar Olsson Gallery2013 Sigrid Sandström, One-person presentation at ADAA Armory Show, NYC with Inman Gallery2013 Viewfinders, Inman Gallery, Houston, TX 2012 Leap of Sight, Galleri Gunnar Olsson, Stockholm, Sweden2011 Hide-outs, The Company, Los Angeles, CA 2010 Video Screenings, Inman Gallery, Houston, TX2010 Sigrid Sandström, Kajsa &amp; Olle Nyman Cultural Foundation in Saltsjö-Duvnäs, Sweden 2009 Cut-out, Galleri Olsson, Stockholm, Sweden2009 Sigrid Sandström, The Company, Los Angeles, CA 2008 Mock-Ups, Galleri Thomas Wallner, Malmö, Sweden2008 New Paintings, Inman Gallery, Houston, TX2007 Recent Paintings, Edward Thorp Gallery, New York, NY2007 Märkt, Galleri Gunnar Olsson, Stockholm, Sweden2006 Ginnungagap: Recent Works by Sigrid Sandstrom, Frye Museum, Seattle, WA (catalogue)2006 Action, Inman Gallery, Houston TX2005 Her Black Flags:Video projections by Sigrid Sandstrom, Mills College Art Museum, Oakland, CA 2004 Ginnungagap, Inman Gallery, Houston, TX2004 Hrönir, Galleri Gunnar Olsson, Stockholm 2004 Sighting, Brant Gallery, MA College of Art, Boston,MA2003 Tillflykter, Galleri Gunnar Olsson, Stockholm2002 I Know Where I'm Going, Inman Gallery, Houston,TX Selected Group Exhibitions 2026 Dallas Art Fair with Anat Ebgi Basel Hong kong with Perrotin Arco Madrid with Perrotin 2025&nbsp;The Armory Show, with Anat Ebgi, NYC &amp; LA Art Basel Hongkong, Anat Ebgi, NYC &amp; LA The Long View, Inman Gallery, Houston, TX Art Basel Miami Beach with Anat Ebgi, NYC &amp; LA West Bund Shanghai, with Perrotin, Shanghai, China The Postcard Exhibition, Saskia Neuman Gallery, Stockholm Expedition konst, Hallands konstmuseum, Varberg Art Dubai, with Perrotin IG-VR-A,&nbsp;Inman Gallery, Houston Concrete Interests, SKF/Konstnärshuset, Stockholm. Curated by Magnus af Petersens and Ashik Zaman. The Cloud Catcher, Perrotin Shanghai, curated by curated by Evonne Jiawei Yuan 2024Expedition konst, Lidköpings konsthall, Lidköping Art Basel Hongkong with Perrotin&nbsp; West Bund Art and Design Shanghai with Perrotin, Nov 7-10 Art Tapei with Perrotin, Oct 24-28 2023Art021 Shanghai Contemporary Art Fair with Perrotin Expedition konst, Kulturens hus, Luleå Women in Abstraction, curated by Lawrence Van Hagen, Pedder building, March 20-25, Hongkong 2022 10th anniversary exhibition, Cecilia Hillström Gallery, Stockholm If you forget my name, You will go astray,&nbsp;Anat Ebgi, Los Angeles, CA Intersect Aspen,&nbsp;Anat Ebgi, Booth B2 2021-2022 Expedition konst, group exhibition at Prins Eugens Waldemarsudde, Stockholm 2021 Dallas Art Fair, curated selection by Anat Ebgi (November 11-14)&nbsp; The Armory Show, curated selection by Anat Ebgi (September 9-12) 2020Good Company:PT 1, group exhbition at Anat Ebgi, Los Angeles, CAThe Trees, light green: Landscape Painting - Past and Present / Träden står ljust gröna: Landskapsmåleri då och nu, group exhibition at Bonniers konsthall, StockholmPolyfoni V, Galleri Thomas Wallner, Simris, Sweden 2019Dialog, group exhibition at Konsthallen Trollhättan, Trollhättan, curated by Tommy Andersson &amp; Jerry Williams (catalogue)Vad gör krusningen? two-person exhibition with Jenny Kalliokuljo and Sigrid Sndström, Galleri Thomas Wallner, Simris; SwedenEvent Horizon, exhibition with Marie Søndergaard Lolk, Sigrid Sandström &amp; Hulda Stéfansdóttir at BERG Contemporary, Reykjvaik, IcelandDialog, group exhibition at Not Quite, Fengerfors, curated by Tommy Andersson &amp; Jerry Williams.Dallas Art Fair with Inman Gallery, TX 2018Night Walk, Inman Gallery, Houston, TXMy Vicious Throbbing Heart: Animating Desire in Abstract Painting, Franklin Street Works, Stamford, CT. Curated by Risa Puleo.Möten, Galleri Gunnar Olsson, Stockholm 2017I Won't Let You Say Goodbye This Time, Inman Gallery, Houston, TXMolnet –The Cloud of Unknowing, curated by Elisabet Yanagisawa, Värmlands Museum, KarlstadPolyfoni 4, Galleri Thomas Wallner, Simris, Sweden 2016Suzhou Documents, curated by Zhang Qing and Roger M. Buergel, Suzhou Art Museum, Suzhou, ChinaLeonard Forslund, Sigrid Sandström och Julia Selin, Galleri Thomas Wallner/High Court, MalmöIn Color, curated by Marina Ancona from the archive of 10 Grand Press, 333 Montezuma Arts, Santa Fe, NM 2015Katrina Moorhead-Dimetrius Oliver-Sigrid Sandström, with Inman gallery at Untitled, Miami Beach SUNSET HAIRCUT: A Group Exhibition, Inman Gallery, HoustonPolyfoni 3, Galleri Thomas Wallner, Simris, Sweden 2014Thinking Through Painting, Part 1 &amp; 2, The Royal Academy of Fine Arts, StockholmBLACK MARKET HELSINKI, Gallery Sinne, Helsinkitasse wieder komma noch fisch, Kunsthalle m3, BerlinNew Dimensions, Group exhibition at Galleri Andersson/Sandström, Umeå. Duckrabbit, Group exhibitionat Anat Ebgi Gallery, Los Angeles. Organized by Jason Losh. Polyfoni 2, Galleri Thomas Wallner, Simris, SwedenART LOS ANGELES CONTEMPORARY, Santa Monica with Anat Ebgi Gallery 2013UT PICTURA POESIS, Galleri Gunnar Olsson, StockholmReckless project #2: Chinese Whisper, curated by Andrea Baccin, Luca Francesconi, Ilaria Gianni, Ilaria Marotta, Costanza Paissan, Cura.basement, Rome, ItalySecret Show (a real allegoriy of a seven year phase of my artisitc (and moral) life) curated by Hinrich Sachs, De Geersgatan 10, StockholmPolyfoni, Galleri Thomas Wallner, Simris, Sweden 2012Miami Project Contemporary + Modern, Miami with Inman Gallery Texas Contemporary Art Fair @ George R with Inman GallerySommar, Galleri Thomas Wallner, Simrishamn, Sweden Art Brussels, with Inman Gallery Market, Stockholm, with Galleri Gunnar Olsson 2011Sommar 2011, Galleri Thomas Wallner, Simris, SwedenFrån Eddie Figge f. 1906 till Linnea Rygaard f. 1990, Galleri Gunnar Olsson, Stockholm 2010NADA Art Fair Miami Beach with The companyVivid, Schroeder Romero &amp; Shredder,New York, NYShadow Effect, The Company, Los Angeles, CA, USAArt Copenhagen, Köpenhamn with Galleri Gunnar OlssonPristagare och receptionsstycken 2010, Kungliga Akademien för&nbsp;de&nbsp;fria&nbsp;konsterna, StockholmBo Siesjös samling av svensk samtidskonst, Ystad Konstmuseum, Ystad, Sweden 2009Caspar David Friedrich – Nature Animated and Friedrich, Eight Contemporary Commentaries, curator Bo Nilsson, Nationalmuseum, StockholmCarnegie Art Award 2010 Kunsthal Charlottenborg, Copenhagen traveling to Listasafn Islands, Islands Nationalgalleri, Reykjavik, Konstakademien, Stockholm, Sweden, Kunstnernes Hus, Oslo, Norway, Royal College of Art, London, UK, Helsingfors Konsthall, Helsinki, Finland, CIAC, Centre International d’Art Contemporain, Carros/Nice, France (catalogue)The First Malibu Annual Contemporary Art Fair, Malibu, CA,&nbsp; with The CompanySamtidigt - Svenskt måleri på 2000-talet, Borås Konstmuseum - traveling to Passagen, Linköpings Konsthall, Sweden (catalogue)Market, Stockholm, Sweden with Galleri Gunnar Olsson Gallery Artists, Edward Thorp Gallery, New York, NY, USA 2008Cent, Galerie Defrost, Paris, France Gallery Artists New Works, Edward Thorp Gallery, New York, NY, USA Learning by Doing: 25 Years of the Core Program at the MFAH, Museum of Fine Arts Houston, Houston, TXProbably, Inman Gallery, Houston, TX 2007From the collections, Moderna Museet, StockholmSylvia Rivera Law Project Art Benefit, Sara Meltzer Gallery, New York, NYGallery Artists, Edward Thorp Gallery, New York, NYSaturn Falling, The Corridor Gallery, Reykjavik. curated by Gavin Morrison.Frisbee LA, curated by Anat Ebgi and Jen de Nike, Los Angeles, CALand Force, Sabina Lee Gallery, curated by John Moore, Los Angeles, CA Market, Stockholm with Galleri Gunnar Olsson 2006Cotton Candy on a Rainy Day, curated by Shinique Smith, The Proposition, New York, NY (catalogue)Everywhichway, Edward Thorp Gallery, New York, NYFrisbee, Miami, Fl, curated by Anat Ebgi and Jen de NikeAqua, Miami, Fl, with Inman GalleryPulse, New York, NY with Inman GalleryMarket, Stockholm with Galleri Gunnar Olsson 2005Frisbee, Miami, Fl, curated by Anat Ebgi and Jen de NikeAqua,Miami, Fl, with Inman GalleryIf you're feeling sinister,Alona Kagan Gallery, New York, NYYou Are Here,Ballroom Marfa, TXSomething is Somewhere, Monya Rowe Gallery, New York, NYCecilia Elde, Ulrika Lundberg, Martina Muntzig och Sigrid Sandström, Kabusa Konsthall, SwedenThe Edge of Darkness, LeRoy Neiman Gallery, Columbia University, NewYork, NYSollentuna Konstmässa 2005, Galleri Olsson, StockholmOutpost, Massachusetts College of Art, Boston, MA (catalogue) 2004Voodoo Shit, Hales Gallery, LondonPerspective@25, Contemporary Art Museum, Houston, TX (catalogue)AFFAIR @ The Jupiter Hotel, Portland, ORSummer Group Show II: Landscapes, Nahcotta Inc. Portsmouth, NHSvenska konstärer i världen, Millesgården, Stockholm (catalogue) Rocks, scissors, paper, Williams Tower Gallery, Houston, TX Why not live for art, Tokyo Opera City Gallery, Tokyo Selections 04, Stephen D. Paine Gallery, Massachusetts College of Art, Boston, MASelections 04, Stephen D. Paine Gallery, Massachusetts College of Art, Boston, MA 2003ARTissima Art Fair, Turin Miniatures, Hook-Epstein Gallery, Houston, TXRendered, Sara Meltzer Gallery, New York, NY Paper Works, Julia Friedman Gallery, Chicago, ILSigrid Sandström &amp; Jiha Moon, M3 Kunsthalle, BerlinIt's not the end of the world, Sigrid Sandström and Karyn Olivier, The Nave Museum, Victoria, TXCore Artists in Residence, Museum of Fine Arts, Houston, TX, (catalogue)function:assimilate, Tyler gallery, Tyler School of Art, Philadelphia, PA 2002New York, New Work, Now! The Currier Museum of Art, Manchester,NH Core Samples, Galveston Arts Center, Galveston, TXPertaining to Painting, The Contemporary Art Museum, Houston, TX, traveled to: Austin Museum of Art (catalogue) New American Talent/17, The Jones Center for Contemporary Art, The Texas Fine Arts Association, Austin, TX traveled to: J.Wayne Stark Galleries, Texas A &amp;M University, Commerce, TX (catalogue) Wall Power, Dallas Center for Contemporary Art, Dallas, TX (catalogue)Core Artists in Residence, Museum of Fine Arts, Houston, TX (catalogue) Selected Bibliography 2026Squall: Sigrid Sandström at Perrotin, London, Hallström, Sofia, Elephant Art Magazine, 23 April 2025Sigrid Sandström, Penumbra, Leeman, Hugh, Roborant Review, Nov 10 Sigrid Sandstrom: Penumbra, Buhe, Elizabeth, Brooklyn Rail, December/ January Endless Possibilities, Rainbow, Greta, Family Style, November 3 Sigrid Sandström's Emotional Landscapes, Edquist, Grace, Vogue, October 31 Mattsson, Leif, Sökande det personliga. Omkonst Johans, Sebastian, Abstrakt konst med både smittande rytm och lugn andning,&nbsp;DN, Feb 4 Nilsson, Håkan, "Concrete Interest. En abstrakt målning föreställer inte bara sig själv", SvD, January 19, p.22-23 Ruin, Otto, "Med fokus på det konkreta"&nbsp;Omkonst Olsson, Thomas, "Concrete interest och Kjell Strandqvist", Konsten.net Hasegawa Aya, Kobayashi Nanami, "Sigrid Sandström's first solo exhibition in Japan with the theme Dusk held at Perrotin Tokyo", Vogue Japan 2024 He Peilian, Sigrid Sandström: When time is passing on the canvas, Artnet News China, September 2024 2023 DN:s kritker väljer fem favoriter vecka 2. Birgitta Rubin: &nbsp;Sigrid Sandström ”Under tiden” “Sigrid Sandström gör det smältande arktis till gåtfulla konst”&nbsp; P1 Kultur Reportage med Cecilia Blomberg Rubin, Birgitta, "Spännande spökbilder och smart design på Vandalorum", DN, Jan 7, 2023 2022 Lissing Thomas, "Nya utställningar på Vandalorum: Sigrid Sandström suddar ut, Smålandsposten, Dec 24 Bons, Magnus,Thurfjell på Nordenhake Sandström hos Hillström, March 15. Persman, Joanna, Svenska Dagbladet, January 8, “Expedition konst – konstnärlig forskning genom vidder av frusen tid” 2021 Johans, Sebastian, Dagens Nyheter, November 10, “Konstexpedition med hisnande polarvyer och klimathot” 2020 Herbert, Martin, ArtReview January/February issue 2020 Martin Herbert Picks the Year's Best Shows. Florin, Magnus, Expressen "Precisionen saknas på Bonniers Konsthall", Expressen, January 26. Kempe, Jessica "Landskapsmåleri i ett opersonligt mingel", DN, January 22. 2019 Weibull, Nina, Om blått och blandat och ett ”veck” i Sigrid Sandströms måleri, Divan 3-4 2019Nordberg, Britt, “Sextett med spännvidd,"Alba,&nbsp; 23 nov https://www.alba.nu/sidor/35517Kjellgren Thomas,&nbsp; "Spännande dialog med stort innehåll", Kristianstadsbladet,&nbsp;1 OctMårtensson Ulf, "Lärare och elev har en utställning ihop", Ystad Allehanda, 7 SepAndrews Sól, Daria, “Event Horizon at BERG Contemporary: A Conversation with artists Marie Sondergaard Lolk, Sigrid Sandström &amp; Hulda Stefánsdóttir”, Artzine 4 September.&nbsp; Hirschfeldt, Måns, “Sigrid Sandströms måleri i nytt ljus”, Kulturnytt, Sveriges Radio, Dec 9. Slöör, Susanna,&nbsp; “Cecilia Hillström Gallery i nya lokaler”, Omkonst. Persman, Joanna, “Tankeväckande uttällning om vad som händer med vår bräckliga jord,” SvD, April 21, p. 2018Bons, Magnus, "Anna Bjerger och Sigrid Sandström", Konsten, Dec 3. Hjertström Lappalainen, Lars-Erik, "Som en orm ömsar skin", Kunstkritikk, 2018-12-04. Persman, Joanna, "Tänkande ögon som utforskar målardukens oändliga möjligheter / Varje enskilt verk är som en sylvass tanke", SvD, 2018-12-06, p.31. 2017Sundstedt Bertil, "Vad är en målning?", Norbottens-Kuriren, September 26Vallgårda Ulrika, ”Det okända är otroligt viktigt”, Norbottens-Kuriren, September 2Lindblom Pelle, "Konsthelgen där mästare och elev spår i olja och tjep", Norrländska Socialdemokraten, September 2Wilson Sheilah, ed, MOTHER MOTHER, Vol. II, NYC&nbsp; Magnusson, Johan, ”Målade flugor, slitna mattor – och konstverks godhet”, Nya Wermlands-Tidningen, June 28: pp14-15Segerpalm, Erik, “Kunskapssökande konst”, Värmlands Folkblad, May 19:p.27 2016"Five Shows to See in L.A.", Art Ltd. Magazine, August 2016Miroff Katia, "After an Explosion," Sigrid Sandström – The Site of Painitng, pp. 2-5, Art &amp; Theory, 2016Puleo Risa, "Negation and Embrace: A Few Reflections on the X,"Sigrid Sandström – The Site of Painitng, pp. 6-11, Art &amp; Theory, 2016Whitley Zoë, "Painting between Sound and Silence," Sigrid Sandström – The Site of Painitng, pp.12-18,&nbsp; Art &amp; Theory, 2016, (interview) 2015Hudson, Suzanne, Painting Now, pp. 190-194, Thames &amp; Hudson, London, 2015Nilsson, Håkan, "Jaget i skickligt dubbelspel", Dagens Nyheter, November 27: p.34Bons Magnus, ”Sigrid Sandström och Mari Slaattelid”, Konsten, 2015-11-22, www.konsten.netMattsson, Leif, ”Läggspel av storskaliga mått”, Omkonst 2015-11-18, http://www.omkonst.com/15-sandstrom-sigrid.shtmlNordgren, Isac, "Ebba Bohlin och Sigrid Sandström", Ystad Allehanda, September 29Millroth, Thomas, "Som om våld begicks", Sydsvenskan, September 18 2014Ekholm, Rikard, " Måleri som ett sätt att tänka", " Tanken fäst vid måleriets bortre gräns", Dagens Nyheter, Oktober 27:p.10Herbert, Nils, Omkonst, http://www.omkonst.com/14-thinking-through-painting.shtml&nbsp; Johans, Sebastian, "Måleriet som mind map", Uppsala Nya tidning,&nbsp; http://unt.se/kultur-noje/konst/maleriet-som-mind-map-3327983.aspx 2013Matsson, Leif, "Kulturen håller sommaröppet", Omkonst, http://www.omkonst.com/13-samlingsutstallningar-g-olsson- m-karlsson.shtmlFischer, Joshua, "Sigrid Sandström" at Inman Gallery, www.glasstire.com, Jan 25 2012Peterson, Frans Josef,&nbsp; "Hur konsten rättar till sig själv-Måleriet dömt till evigt återbruk av konventioner", Aftonbladet, Oct 30Hjertström Lappalainen, Lars-Erik, "Målningens integritet", Kunstkritikk,&nbsp; Feb 2Olofsson, Anders, "Sigrid Sandström på Galleri Olsson", konsten.net/?p=8714 Mattsson, Leif, "Vaggor för klangskivor", omkonst.com/12-sandstrom-sigrid.shtmlKalén, Isabella, Abstrakta föreställningar, Rymden, rym.dk/sigrid-sandstrom-abstrakta-forestallningarBjelvehammar, Bo, "Varje sommar målar sig själv", Ystad Allehanda, July4 von Arbin-Ahlander, Astri, "Sigrid Sandstrom" thedaysofyore.com/sigrid-sandstrom/ 2009Lind, Ingela, “Brinnande färg och stilla bottensug”, Dagens Nyheter, October 8: kultur p.6-7Malmberg, Carl-Johan, “Frusna ögonblick inför mystiken”, Svenska Dagbladet, October 9Brodow Inzaina, Anna, “Illusioner på duk blir verkliga”, Svenska Dagbladet, August 28: p.21Nilsson, Håkan, ”Uppfriskande Abstraktioner”, Dagens Nyheter, September 10: p.07Gleason, Mat, "Coagula Interview: Sigrid Sandström", Coagula Art Journal, #97 AprilKempe, Jessica, "Supermarket/Market:Konstmässor leker på allvar", Dagens Nyheter, February 14Lindquist, Gunnar, "Samtida måleri när det är som bäst", Östgöta Correspondenten, June 8Ekström, Eleonor, “Nya vyer hemmavid,” Göteborgs-Posten, April 9, p.80van Reis, Michael, “Rum för AlieNationen,” Göteborgs-Posten, April 17Taft Catherine, Art Review, Issue 32, May 2009, p.118Taft, Catherine, “Catherine Taft’s round-up of the best shows in LA”, Saatchi Online, http://www.saatchi-gallery.co.uk/blogon/art_news/catherine_tafts_round-up_of_the_best_shows_in_la/5483Sigrid Sandstrom, Daily Serving, March 18, http://www.dailyserving.com/2009/03/sigrid_sandstrom.phpReihsen Joe, “Sigrid Sandstrom”, Flavorpill, March 14, 2009, http://flavorpill.com/losangeles/events/2009/3/14/sigrid-sandstrom 2008Söderholm, Cecilia, "Än kan allt hända", Sydsvenska Dagbladet, December 10:B5Britt, Douglas, “ Last Chance to catch hot August shows,” Houston Cronicle, August15:E1,E2Core: Artists and Critics in Residence, The Museum of Fine Arts, pp.166,197 2007Fry, Naomi, "Critic's Pics New York: Sigrid Sandstrom", Artforum, December 2007 Brodow, Anna,&nbsp; “Sigrid Sandström, Verkligheten tränger sig på”, Svenska Dagbladet, January 27, Kultur: 8 2006Ginnungagap- Recent Work by Sigrid Sandström. Seattle: Frye Art Museum. Texts by Midge Bowman, Robin Held and Jaimey Hamilton (exhibition catalogue)Hackett, Regina, “Yoder, O’Neil, Sandstrom, Helfand”, Seattlepi.com, June 16th Graves, Jen, “ Wondering about Wandering-Sandstrom Asks What We Expect to Find Out There”, The Stranger, June 22-28, 2006Naves Mario, “ This Way, That Way”, The New York Observer, (online) July 24thJohnson, Ken, The Listings, “Everywhichway” The New York Times, July 7th, 2005Marshall, Robert. “Something is Somewhere”, New York Press, Vol.18, Number 21, May 25-31 2004French, Christopher. Flash Art, November - December p.119-120Perspective @ 25, exhibition catalogue, Contemporary Arts Museum HoustonKeough, Jeffrey. Outpost, exhibition catalogue, Massachusetts College of ArtsKlaasmeyer, Kelly .“Polar Flair-Sigrid Sandström brings arctic splendor to Inman Gallery”, Houston Press, September 30:46 2003Core 2003 (exhibition catalogue). Houston: The Glassell School of Art of the Museum of Fine Arts, Johnson, Patricia C. "Five Houston artist honored with Artadia awards", Houston Chronicle,April 28:12C New American Painting, Boston:The Open Studio Press, MA, #46 Sillman, Amy. Top Ten, Art Forum, November 2002Currain, Rob.'"Pertaining to Painting":Chocolate Box', The Austin Chronicle, December 27: vol .22.no.17Devine, John. "She Knows Where She's Going", The Houston Press, August 8-14:56 Morsiani, Paola,."Pertaining to Painting" (exhibition catalogue), Perspectives 133:22-21Biederman, Christine. "Planet of the Apes", Dallas Observer, May 16-22: 61.Core Yearbook, (exhibition catalogue). Houston: The Glassell School of Art of the Museum of Fine Arts, Mitchell, Charles Dee." Think Big Picture", The Dallas Morning News, April 18: 12C. Publications Landscape Revisited - Ten conjunctions of Art and Landscape, Edited by Sigrid Sandström, 2024, Uniarts Helsinki, Helsinki Material Matters, Painting and Its Materialities, edited by Sigrid Sandström, 2020, Art &amp; Theory &amp; Royal Institute of Art, Stockholm Sigrid Sandström – The Site of Painitng, 2016, Art &amp; Theory, Stockholm, monograph Ignorance –Between Knowing and Not Knowing, &nbsp;edited by Sigrid Sandström and Gavin Morrison, 2015, Axl Books, Stockholm Studio Talks: Thinking Through Painitng, edited by Kristina Bength, Jonatan Habib Engqvist, Jan Rydén, Sigrid Sandström, 2014, Arvinius + Orfeus Publishing, Stockholm Grey Hope: the persistence of melancholy, edited by Sigrid Sandström and Atopia Projects,2006,&nbsp; Northhampton, MA, USA Lectures/Panels/Seminars 2022 Felt Paint– Activity and Thing, lecture September 22 at Academy of Fine Art Oslo&nbsp; (KHiO) 2020 Conversation between Sigrid Sandström &amp; Filippa Arrias in conjunction with Filippas Arrias' exhibition Hetta och vitt / Uppsala konstmuseum, Nov 12Professor's trial lecture, The Fine Arts Academy / Univeristy of the Arts, HelsinkiConversation between Sigrid Sandström and Lina Selander at CHART De-centered Art fair, Aug 29Conversation between Sigrid Sandström and Kristiina Uusitalo at CHARTAlive, Aug 12 2018Material Matters - a Conference on Material Concerns in Painting,&nbsp; 13-14 Dec 2018, Royal Institute of Art, Stockholm, organized by Sigrid SandströmArtist talk at The Dora Maar House, MenérbesctureConversation between artist Sigrid Sandström and art critic Martin Herbert&nbsp;on contemporary painting at Bonniers Konsthall, Stockholm 2017Kossak Painting Fellow, Visiting Critic at Hunter College, NYCVisiting Lecturer Lecture, UCLA; Los Angeles, CA 2016Visiting Artist Lecture, UCLA; Los Angeles, CAVisiting Artist lecture, University of Houston, Houston, TXVisiting Artist lecture, Göteborgs konsskola, GothenburgVisiting Artist lecture, Iceland Academy of Arts, Reykjavik, Iceland 2015Panel member at discussion on Frank Bowling's exhbition Traingone at Spritmuseum, Stockholm 2014Faculty lecture, Skowhegan School of Painting and Sculpture, Skowhegan, MESeminar: De involverade, Göteborgs konsthall, Göteborg 2013Visiting Artistst lecture, Univeristy of Minnesota, Minneapolis, MNVisiting Artist lecture: Chapman University, Orange, CAInvited as discussion leader with Christer Lundahl and Martina Seitl to Festival:Display, a choreography festival in the form of a biennial, curated and choreographed by Marie Fahlin and RebeccaChentinell/Koreografiska Konstitutet. at Weld, StockholmVisiting Artist lecture: Du, jag och målningen, Göteborgs konsskola, Gothenburg 2012Panel discussion: Thinking Through Painting, Moderna Museet, StockholmSeminar: "From Hand to Thought and Back", Bonniers Konsthall, Stockholm Degree show examination panel member, Finnish Academy of Fine Arts, HelsinkiVisiting Artist lecture, Finnish Academy of Fine Arts, Helsinki 2011Panel member on discussion on Melancholy in Turner, Monét, Twombly exhibition at Moderna Museet, Stockholm Artist conversation on the Cosima von Bonin, Per Kirkeby and Tal R exhibition at Magasin 3, Stockholm Visiting Artist lecture, University of San Diego, San Diego, CA 2010Visiting Artist lecture, Tyler School of Art / Temple University, Philadelphia, USAVisiting Artist lecture, Univeristy of Wisconsin-Madison, Madison, USA Tyler School of Art / Temple University, Philadelphia, USAUniveristy of Wisconsin-Madison, Madison, USA 2009Nationalmuseum, Stockholm, Sweden, lecture, October 29, November 15 2008Visiting Artist lecture, Boston University, Boston, MAVisiting Artist lecture, Princeton University, Lewis Center for the Arts, NJVisiting Artist lecture, Maryland Art Institute, Baltimore, MD 2007Visiting Artist lecture, Southern Methodist University, Dallas, TX 2006 Visiting Artist lecture, Royal University College of Art, Stockholm 2005Visiting Artist lecture, Mills College of Art, Oakland, CAVisiting Critic, Yale University School of Art, New Haven, CT 2004Sighting, Brant Gallery, Mass College of Art, Boston 2003Visiting Artist lecture, Massachusetts College of Art, Boston, MAVisiting Artist lecture, Brandeis University, Waltham, MAVisiting Artist lecture, Victoria College, Victoria, TX Teaching Experiences 2020-2025 Professor of Painting, Academy of Fine Arts, Helsinki 2010-2020Professor of Fine Art, Royal Institute of Art, Stockhoolm 2017Lecturer in Advanced Painintg and Graduate Painitng (spring quarter), Department of Art, UCLA, Los Angeles, CA 2014&nbsp;Faculty at Skowhegan School of Painting and Sculpture, Maine 2005-2010Bard College, Annandale-on-Hudson,NY, Assistant Professor 2009Guest critic (external opponent) for the B.F.A candidates at the Royal University College of Art, Sthlm. June 2 2006, 2007Royal University College of Art, Stockholm, Visiting lecturer 2005Yale University, Summer Program, Basic Drawing 2004Edinburgh College of Art, asnE (Art,Space,Nature Science Graduate Program) work shop: Building a Studio&nbsp; (www.atopiaprojects.org/workshops) &nbsp; 2003-2005Massachusetts College of Art, Boston, Undergraduate Program (Junior/Senior major Studio), Graduate Program , Visiting Artist/ Assistant Professor 2001-03Glassell School of Art, Museum of Fine Arts Houston/ University of St Thomas 2001Yale University Art Gallery, Visiting Artist, Education Department, " Neighborhood Place Summer Program" (public school children grade 1-5) and "Vietnam Veteran Program"Yale University School of Art, Teaching assistant to Lisa Corinne Davis In Public CollectionsFirestorm Foundation Borås Konstmuseum, BoråsGöteborgs stadLandstinget i Uppsala länMalmö KonstmuseumModerna Museet, StockholmStatens konstråd / Public Art AgencyMuseum of Fine Arts Houston, Houston, TXUlrich Museum of Art, Wichita, KSYale University Art Gallery, New Haven, CTLandstinget i Sörmlands län&lt;Skelleteå kommunLuleå kommunUmeå kommunVästerås konstmuseum https://sigridsandstrom.com/Contact Mon, 01 Feb 2021 13:38:14 +0000 Sigrid Sandström https://sigridsandstrom.com/Contact CONTACTSigrid Sandströmsigridsandstrom&nbsp;[at] gmail.com ︎ Cecilia Hillström GalleryHudiksvallsgatan 8113 30 Stockholm,&nbsp;Swedeninfo [at] chgallery.se www.chgallery.se Owner / DirectorCecilia Hillströmcecilia [at] chgallery.seM +46 707 646568 ︎ Inman Gallery3901 Main StreetHouston, TX 77002phone (+1) 713.526.7800www.inmangallery.com Kerry Inman, Ownerkerry [at] inmangallery.com ︎ Anat Ebgi2660 S. La Cienega BlvdLos Angeles, CA 90034phone: +1(310) 838 – 2770 www.anatebgi.com Anat Ebgi, Owneranat [at] anatebgi.com Stefano Di Paola, Directorstefano [at] anatebgi.com https://sigridsandstrom.com/2026 Thu, 18 Jun 2026 09:21:51 +0000 Sigrid Sandström https://sigridsandstrom.com/2026 <img width="1500" height="1558" width_o="1500" height_o="1558" data-src="https://freight.cargo.site/t/original/i/5372249c8b5ca7f0c6af478cb9c79dc2f8437306091cdf7a8a3e3cedc2af1bc1/SSA_A092427_685592.4500xmax-1.jpg" data-mid="249571328" border="0" alt="Daunter, 2026 Acrylic on canvas. Unframed: 150 x 145 cm | 59 1/16 x 57 1/16. In Framed: 152 x 147 cm | 59 13/16 x 57 7/8 in" data-caption="Daunter, 2026 Acrylic on canvas. Unframed: 150 x 145 cm | 59 1/16 x 57 1/16. In Framed: 152 x 147 cm | 59 13/16 x 57 7/8 in" src="https://freight.cargo.site/w/1000/i/5372249c8b5ca7f0c6af478cb9c79dc2f8437306091cdf7a8a3e3cedc2af1bc1/SSA_A092427_685592.4500xmax-1.jpg" /> <img width="1500" height="982" width_o="1500" height_o="982" data-src="https://freight.cargo.site/t/original/i/b3e4da51338c147b2a9da08a159842f1acbaf41419f32c55815a5b4cfaf0d838/SSA_A092544_685613.4500xmax-1.jpg" data-mid="249572253" border="0" alt="Gale I, 2026. Acrylic on canvas. Unframed: 60 x 110 cm | 23 5/8 x 43 5/16. In Framed: 62 x 112 cm | 24 7/16 x 44 1/8 in" data-caption="Gale I, 2026. Acrylic on canvas. Unframed: 60 x 110 cm | 23 5/8 x 43 5/16. In Framed: 62 x 112 cm | 24 7/16 x 44 1/8 in" src="https://freight.cargo.site/w/1000/i/b3e4da51338c147b2a9da08a159842f1acbaf41419f32c55815a5b4cfaf0d838/SSA_A092544_685613.4500xmax-1.jpg" /> <img width="1500" height="1497" width_o="1500" height_o="1497" data-src="https://freight.cargo.site/t/original/i/c5aff833aa49fc2e0ceb7f7d070388dcc04c73c74e18407dbb49d1fb31aa9f74/SSA_A092551_685593.4500xmax-1.jpg" data-mid="249572231" border="0" alt="Vapour, 2026 Acrylic on canvas. Unframed: 124 x 124 cm | 48 13/16 x 48 13/16. In Framed: 126 x 126 cm | 49 5/8 x 49 5/8 in" data-caption="Vapour, 2026 Acrylic on canvas. Unframed: 124 x 124 cm | 48 13/16 x 48 13/16. In Framed: 126 x 126 cm | 49 5/8 x 49 5/8 in" src="https://freight.cargo.site/w/1000/i/c5aff833aa49fc2e0ceb7f7d070388dcc04c73c74e18407dbb49d1fb31aa9f74/SSA_A092551_685593.4500xmax-1.jpg" /> <img width="2109" height="1000" width_o="2109" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b9d17d976fb158a7d6e0af7e4441e18b7a5a519010b7a4e1fe0ad4e3805e2961/SSA_A092545_685614.4500xmax-1.jpg" data-mid="249572265" border="0" alt="Gale II, 2026. Acrylic on canvas. Unframed: 60 x 140 cm | 23 5/8 x 55 1/8. In Framed: 62 x 142 cm | 24 7/16 x 55 7/8 in" data-caption="Gale II, 2026. Acrylic on canvas. Unframed: 60 x 140 cm | 23 5/8 x 55 1/8. In Framed: 62 x 142 cm | 24 7/16 x 55 7/8 in" src="https://freight.cargo.site/w/1000/i/b9d17d976fb158a7d6e0af7e4441e18b7a5a519010b7a4e1fe0ad4e3805e2961/SSA_A092545_685614.4500xmax-1.jpg" /> <img width="1500" height="1494" width_o="1500" height_o="1494" data-src="https://freight.cargo.site/t/original/i/8f4ff5d0bd8fe2f05774a349218fdaf05d81355c7e734ec8ac7e76d2ad9cd477/SSA_A092546_685625.4500xmax-1.jpg" data-mid="249572275" border="0" alt="Gale III, 2026. Acrylic on canvas. Unframed: 60 x 60 cm | 23 5/8 x 23 5/8. In Framed: 62 x 62 cm | 24 7/16 x 24 7/16 in" data-caption="Gale III, 2026. Acrylic on canvas. Unframed: 60 x 60 cm | 23 5/8 x 23 5/8. In Framed: 62 x 62 cm | 24 7/16 x 24 7/16 in" src="https://freight.cargo.site/w/1000/i/8f4ff5d0bd8fe2f05774a349218fdaf05d81355c7e734ec8ac7e76d2ad9cd477/SSA_A092546_685625.4500xmax-1.jpg" /> <img width="1651" height="1000" width_o="1651" height_o="1000" data-src="https://freight.cargo.site/t/original/i/8b7aecef76964cb59870f65e24f6b17fc49788b0bc2b3048e76ab7fe059ed3e3/SSA_A092547_685624.4500xmax-1.jpg" data-mid="249572503" border="0" alt="Gale IV, 2026. Acrylic on canvas. Unframed: 60 x 110 cm | 23 5/8 x 43 5/16. In Framed: 62 x 112 cm | 24 7/16 x 44 1/8 in" data-caption="Gale IV, 2026. Acrylic on canvas. Unframed: 60 x 110 cm | 23 5/8 x 43 5/16. In Framed: 62 x 112 cm | 24 7/16 x 44 1/8 in" src="https://freight.cargo.site/w/1000/i/8b7aecef76964cb59870f65e24f6b17fc49788b0bc2b3048e76ab7fe059ed3e3/SSA_A092547_685624.4500xmax-1.jpg" /> <img width="1772" height="1000" width_o="1772" height_o="1000" data-src="https://freight.cargo.site/t/original/i/54f3d5e013cada5789f891f8df4cd2af1b739751e802742d9cf38a40658b77b1/SSA_A092548_685764.4500xmax-1.jpg" data-mid="249572504" border="0" alt="Gale V, 2026. Acrylic on canvas. Unframed: 60 x 120 cm | 23 5/8 x 47 1/4. In Framed: 62 x 122 cm | 24 7/16 x 48 1/16 in" data-caption="Gale V, 2026. Acrylic on canvas. Unframed: 60 x 120 cm | 23 5/8 x 47 1/4. In Framed: 62 x 122 cm | 24 7/16 x 48 1/16 in" src="https://freight.cargo.site/w/1000/i/54f3d5e013cada5789f891f8df4cd2af1b739751e802742d9cf38a40658b77b1/SSA_A092548_685764.4500xmax-1.jpg" /> <img width="1401" height="1000" width_o="1401" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b375c8727fccfc8add0bf18fca6c34ce21679cda925c51f14648bb1c7978780b/SSA_A092549_685755.4500xmax-1.jpg" data-mid="249572507" border="0" alt="Gale VI, 2026. Acrylic on canvas. Unframed: 60 x 90 cm | 23 5/8 x 35 7/16. In Framed: 62 x 92 cm | 24 7/16 x 36 1/4 in" data-caption="Gale VI, 2026. Acrylic on canvas. Unframed: 60 x 90 cm | 23 5/8 x 35 7/16. In Framed: 62 x 92 cm | 24 7/16 x 36 1/4 in" src="https://freight.cargo.site/w/1000/i/b375c8727fccfc8add0bf18fca6c34ce21679cda925c51f14648bb1c7978780b/SSA_A092549_685755.4500xmax-1.jpg" /> <img width="1266" height="1000" width_o="1266" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e0fc8d7ac0169d59b663de56c93de5e384d2fc0524777041319c9687ea964032/SSA_A092550_685753.4500xmax-1.jpg" data-mid="249572508" border="0" alt="Gale VII, 2026. Acrylic on canvas. Unframed: 60 x 80 cm | 23 5/8 x 31 1/2. In Framed: 62 x 82 cm | 24 7/16 x 32 5/16 in" data-caption="Gale VII, 2026. Acrylic on canvas. Unframed: 60 x 80 cm | 23 5/8 x 31 1/2. In Framed: 62 x 82 cm | 24 7/16 x 32 5/16 in" src="https://freight.cargo.site/w/1000/i/e0fc8d7ac0169d59b663de56c93de5e384d2fc0524777041319c9687ea964032/SSA_A092550_685753.4500xmax-1.jpg" /> <img width="1500" height="1501" width_o="1500" height_o="1501" data-src="https://freight.cargo.site/t/original/i/e5f137371c799d9186489556d55111759a12a89eec9281350493b23c67298950/SSA_A092555_689162.4500xmax.jpg" data-mid="249572509" border="0" alt="Doublet, 2026. Acrylic on canvas. Unframed: 121 x 121 cm | 47 5/8 x 47 5/8. In Framed: 123 x 123 cm | 48 7/16 x 48 7/16 in" data-caption="Doublet, 2026. Acrylic on canvas. Unframed: 121 x 121 cm | 47 5/8 x 47 5/8. In Framed: 123 x 123 cm | 48 7/16 x 48 7/16 in" src="https://freight.cargo.site/w/1000/i/e5f137371c799d9186489556d55111759a12a89eec9281350493b23c67298950/SSA_A092555_689162.4500xmax.jpg" /> <img width="1500" height="1290" width_o="1500" height_o="1290" data-src="https://freight.cargo.site/t/original/i/f11ad3af8357ce5d99f64236424df126bcab6792ba8cf7cc204d3d6b5135a0cc/SSA_A092556_685612.4500xmax-1.jpg" data-mid="249572512" border="0" alt="Weight (Grey), 2026. Acrylic on canvas. Unframed: 100 x 120 cm | 39 3/8 x 47 1/4. In Framed: 102 x 122 cm | 40 3/16 x 48 1/16 in" data-caption="Weight (Grey), 2026. Acrylic on canvas. Unframed: 100 x 120 cm | 39 3/8 x 47 1/4. In Framed: 102 x 122 cm | 40 3/16 x 48 1/16 in" src="https://freight.cargo.site/w/1000/i/f11ad3af8357ce5d99f64236424df126bcab6792ba8cf7cc204d3d6b5135a0cc/SSA_A092556_685612.4500xmax-1.jpg" /> <img width="1544" height="1000" width_o="1544" height_o="1000" data-src="https://freight.cargo.site/t/original/i/80f33c2b0bc3edfdbe0a96d203ba130ddf1f7eeb73aa7f16a598f4da45891f5f/SSA_A092426_685473.4500xmax-1.jpg" data-mid="249572534" border="0" alt="Gust, 2026. Acrylic on canvas. Unframed: 150 x 250 cm | 59 1/16 x 98 7/16. In Framed: 152 x 252 cm | 59 13/16 x 99 3/16 in" data-caption="Gust, 2026. Acrylic on canvas. Unframed: 150 x 250 cm | 59 1/16 x 98 7/16. In Framed: 152 x 252 cm | 59 13/16 x 99 3/16 in" src="https://freight.cargo.site/w/1000/i/80f33c2b0bc3edfdbe0a96d203ba130ddf1f7eeb73aa7f16a598f4da45891f5f/SSA_A092426_685473.4500xmax-1.jpg" /> <img width="1500" height="1173" width_o="1500" height_o="1173" data-src="https://freight.cargo.site/t/original/i/7b087edff0e0322c3c2f42a0024ad79fb15163a69fb6710c9209070dce4a26a7/SSA_A092557_689166.4500xmax.jpg" data-mid="249572538" border="0" alt="Before Blueschist, 2026. Acrylic on canvas. Unframed: 150 x 200 cm | 59 1/16 x 78 3/4. In Framed: 152 x 202 cm | 59 13/16 x 79 1/2 in" data-caption="Before Blueschist, 2026. Acrylic on canvas. Unframed: 150 x 200 cm | 59 1/16 x 78 3/4. In Framed: 152 x 202 cm | 59 13/16 x 79 1/2 in" src="https://freight.cargo.site/w/1000/i/7b087edff0e0322c3c2f42a0024ad79fb15163a69fb6710c9209070dce4a26a7/SSA_A092557_689166.4500xmax.jpg" /> <img width="1500" height="1318" width_o="1500" height_o="1318" data-src="https://freight.cargo.site/t/original/i/634d9c4567913c4baccb3818e89509288fed1961f3e3eba1bc748eab0755031a/SSA_A092559_685761.4500xmax-1.jpg" data-mid="249572540" border="0" alt="Afterglow, 2026. Acrylic on canvas. Unframed: 46 x 54 cm | 18 1/8 x 21 1/4. In Framed: 48 x 56 cm | 18 7/8 x 22 1/16 in" data-caption="Afterglow, 2026. Acrylic on canvas. Unframed: 46 x 54 cm | 18 1/8 x 21 1/4. In Framed: 48 x 56 cm | 18 7/8 x 22 1/16 in" src="https://freight.cargo.site/w/1000/i/634d9c4567913c4baccb3818e89509288fed1961f3e3eba1bc748eab0755031a/SSA_A092559_685761.4500xmax-1.jpg" /> <img width="1500" height="1173" width_o="1500" height_o="1173" data-src="https://freight.cargo.site/t/original/i/a0d22c1235a22ae5fa713087051df875bc57983b45f72bf91311c43224315331/SSA_A092562_685471.4500xmax-1.jpg" data-mid="249572543" border="0" alt="Slit, 2026. Acrylic on canvas. Unframed: 150 x 200 cm | 59 1/16 x 78 3/4. In Framed: 152 x 202 cm | 59 13/16 x 79 1/2 in" data-caption="Slit, 2026. Acrylic on canvas. Unframed: 150 x 200 cm | 59 1/16 x 78 3/4. In Framed: 152 x 202 cm | 59 13/16 x 79 1/2 in" src="https://freight.cargo.site/w/1000/i/a0d22c1235a22ae5fa713087051df875bc57983b45f72bf91311c43224315331/SSA_A092562_685471.4500xmax-1.jpg" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/1973a91a555c1592ae27f7e5c06484006713697ab7c210f0855a8ee0f7e1902d/SSA_A092563_689165.4500xmax.jpg" data-mid="249572547" border="0" alt="In Proximity, 2026. Acrylic on canvas. Unframed: 100 x 100 cm | 39 3/8 x 39 3/8. In Framed: 102 x 102 cm | 40 3/16 x 40 3/16 in" data-caption="In Proximity, 2026. Acrylic on canvas. Unframed: 100 x 100 cm | 39 3/8 x 39 3/8. In Framed: 102 x 102 cm | 40 3/16 x 40 3/16 in" src="https://freight.cargo.site/w/1000/i/1973a91a555c1592ae27f7e5c06484006713697ab7c210f0855a8ee0f7e1902d/SSA_A092563_689165.4500xmax.jpg" /> <img width="1500" height="1135" width_o="1500" height_o="1135" data-src="https://freight.cargo.site/t/original/i/5f2a1255f80ea9b74a8a364152ea5396be6f817823ec869306b71e3b188239b3/SSA_A092560_685759.4500xmax-1.jpg" data-mid="249572557" border="0" alt="Origo, 2026. Acrylic on canvas. Unframed: 50 x 70 cm | 19 11/16 x 27 9/16. In Framed: 52 x 72 cm | 20 1/2 x 28 3/8 in" data-caption="Origo, 2026. Acrylic on canvas. Unframed: 50 x 70 cm | 19 11/16 x 27 9/16. In Framed: 52 x 72 cm | 20 1/2 x 28 3/8 in" src="https://freight.cargo.site/w/1000/i/5f2a1255f80ea9b74a8a364152ea5396be6f817823ec869306b71e3b188239b3/SSA_A092560_685759.4500xmax-1.jpg" /> <img width="1500" height="1082" width_o="1500" height_o="1082" data-src="https://freight.cargo.site/t/original/i/b831aeb84bd4f900de5a1684548da7cd203f879bee4360cad8f7a7608c3204e6/SSA_A092564_685763.4500xmax-1.jpg" data-mid="249572561" border="0" alt="Blush, 2026. Acrylic on canvas. Unframed: 27 x 41 cm | 10 5/8 x 16 1/8. In Framed: 29 x 43 cm | 11 7/16 x 16 15/16 in" data-caption="Blush, 2026. Acrylic on canvas. Unframed: 27 x 41 cm | 10 5/8 x 16 1/8. In Framed: 29 x 43 cm | 11 7/16 x 16 15/16 in" src="https://freight.cargo.site/w/1000/i/b831aeb84bd4f900de5a1684548da7cd203f879bee4360cad8f7a7608c3204e6/SSA_A092564_685763.4500xmax-1.jpg" /> <img width="1955" height="1000" width_o="1955" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0a69dcef4dd7fa08f177f71cd17f5d4027725d82a918cc092b88dceff2ed898a/SSA_A092587_685756.4500xmax-2.jpg" data-mid="249572571" border="0" alt="Meanwhile, 2026. Acrylic on canvas. Unframed: 55 x 125 cm | 21 5/8 x 49 3/16. In Framed: 57 x 127 cm | 22 7/16 x 50 in" data-caption="Meanwhile, 2026. Acrylic on canvas. Unframed: 55 x 125 cm | 21 5/8 x 49 3/16. In Framed: 57 x 127 cm | 22 7/16 x 50 in" src="https://freight.cargo.site/w/1000/i/0a69dcef4dd7fa08f177f71cd17f5d4027725d82a918cc092b88dceff2ed898a/SSA_A092587_685756.4500xmax-2.jpg" /> https://sigridsandstrom.com/2025 Fri, 02 May 2025 09:32:23 +0000 Sigrid Sandström https://sigridsandstrom.com/2025 <img width="1400" height="1341" width_o="1400" height_o="1341" data-src="https://freight.cargo.site/t/original/i/a8f97cbeb794b7728cc052ee753c897fdfbb51ad5b14f8f897a81a6e46d79580/web2516.jpg" data-mid="231876487" border="0" alt="Shadow Play, 2025 Acrylics on canvas 147 x 154 cm incl. frame" data-caption="Shadow Play, 2025 Acrylics on canvas 147 x 154 cm incl. frame" src="https://freight.cargo.site/w/1000/i/a8f97cbeb794b7728cc052ee753c897fdfbb51ad5b14f8f897a81a6e46d79580/web2516.jpg" /> <img width="1399" height="1400" width_o="1399" height_o="1400" data-src="https://freight.cargo.site/t/original/i/86421c7c6886debbbc585430b0d9c81f08da92129c1374ac70bc262d314d945d/web2396.jpg" data-mid="231876486" border="0" alt="Velvet Rising, 2025 Acrylics on canvas 154 x 154 cm incl. frame" data-caption="Velvet Rising, 2025 Acrylics on canvas 154 x 154 cm incl. frame" src="https://freight.cargo.site/w/1000/i/86421c7c6886debbbc585430b0d9c81f08da92129c1374ac70bc262d314d945d/web2396.jpg" /> <img width="1440" height="1377" width_o="1440" height_o="1377" data-src="https://freight.cargo.site/t/original/i/0f135885cf7e31d47688598a85d66c5af51aa5619634bbaa228055cbe870e2e9/web2391.jpg" data-mid="231876485" border="0" alt="En Route, 2025 Acrylics on canvas 147 x 154 cm incl. frame" data-caption="En Route, 2025 Acrylics on canvas 147 x 154 cm incl. frame" src="https://freight.cargo.site/w/1000/i/0f135885cf7e31d47688598a85d66c5af51aa5619634bbaa228055cbe870e2e9/web2391.jpg" /> <img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/9a43a55b9fd37779f9c0ddf4afa67c5abff6f7dd91072003cbcaecd772911679/web2380.jpg" data-mid="231876483" border="0" alt="Blue Tumbler, 2025 Acrylics on canvas 126 x 126 cm incl. frame" data-caption="Blue Tumbler, 2025 Acrylics on canvas 126 x 126 cm incl. frame" src="https://freight.cargo.site/w/1000/i/9a43a55b9fd37779f9c0ddf4afa67c5abff6f7dd91072003cbcaecd772911679/web2380.jpg" /> <img width="1399" height="1400" width_o="1399" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dbd5a92089be136165e976b862b5262341c9ab6e048ad288d755da378eb597fa/web2383.jpg" data-mid="231876484" border="0" alt="Behind In Front, 2025 Acrylics on canvas 126 x 126 cm incl. frame" data-caption="Behind In Front, 2025 Acrylics on canvas 126 x 126 cm incl. frame" src="https://freight.cargo.site/w/1000/i/dbd5a92089be136165e976b862b5262341c9ab6e048ad288d755da378eb597fa/web2383.jpg" /> <img width="1400" height="962" width_o="1400" height_o="962" data-src="https://freight.cargo.site/t/original/i/3603483cb7730575427641d1b976851996bbb92f09d23fff9e13766b4ca2d388/web-Framtidens-skuggor-1-2408.jpg" data-mid="231876475" border="0" alt="Framtidens skugga I, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga I, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/3603483cb7730575427641d1b976851996bbb92f09d23fff9e13766b4ca2d388/web-Framtidens-skuggor-1-2408.jpg" /> <img width="1440" height="989" width_o="1440" height_o="989" data-src="https://freight.cargo.site/t/original/i/b4eb627723f7ad71a640feff9fa3be48140311c825df58d80fc6a85581dd677b/web-Framtidens-skuggor-2-2432.jpg" data-mid="231876476" border="0" alt="Framtidens skugga II, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga II, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/b4eb627723f7ad71a640feff9fa3be48140311c825df58d80fc6a85581dd677b/web-Framtidens-skuggor-2-2432.jpg" /> <img width="1400" height="961" width_o="1400" height_o="961" data-src="https://freight.cargo.site/t/original/i/93f7ac3af20842cf5d1b11bc7b2446d917effa9eacf776925b011276f05bf2b4/web-Framtidens-skuggor-3-2424.jpg" data-mid="231876477" border="0" alt="Framtidens skugga III, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga III, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/93f7ac3af20842cf5d1b11bc7b2446d917effa9eacf776925b011276f05bf2b4/web-Framtidens-skuggor-3-2424.jpg" /> <img width="1400" height="963" width_o="1400" height_o="963" data-src="https://freight.cargo.site/t/original/i/1889da503aaf4834969be7c43677d323464024382fe9b7a9eecef268d8c56600/web-Framtidens-skuggor-4-2419.jpg" data-mid="231876478" border="0" alt="Framtidens skugga IV, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga IV, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/1889da503aaf4834969be7c43677d323464024382fe9b7a9eecef268d8c56600/web-Framtidens-skuggor-4-2419.jpg" /> <img width="1400" height="960" width_o="1400" height_o="960" data-src="https://freight.cargo.site/t/original/i/067e75a591772d3ade3c78d175318f864d666064202bacea643d8c00e21ce568/web-Framtidens-skuggor-5-2412.jpg" data-mid="231876479" border="0" alt="Framtidens skugga V, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga V, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/067e75a591772d3ade3c78d175318f864d666064202bacea643d8c00e21ce568/web-Framtidens-skuggor-5-2412.jpg" /> <img width="1400" height="963" width_o="1400" height_o="963" data-src="https://freight.cargo.site/t/original/i/b66f0aa704d4d2900eb0a45e8b1d497fc145d4e74bbb71ebd25a432b52efd1c5/web-Framtidens-skuggor-6-42429.jpg" data-mid="231876480" border="0" alt="Framtidens skugga VI, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga VI, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/b66f0aa704d4d2900eb0a45e8b1d497fc145d4e74bbb71ebd25a432b52efd1c5/web-Framtidens-skuggor-6-42429.jpg" /> <img width="1400" height="965" width_o="1400" height_o="965" data-src="https://freight.cargo.site/t/original/i/596e652121c873bf1f9c86644194b162b6a23a8d34ede4702bdd85f0e9d84f10/web-Framtidens-skuggor-7-2426.jpg" data-mid="231876481" border="0" alt="Framtidens skugga VII, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga VII, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/596e652121c873bf1f9c86644194b162b6a23a8d34ede4702bdd85f0e9d84f10/web-Framtidens-skuggor-7-2426.jpg" /> <img width="1400" height="961" width_o="1400" height_o="961" data-src="https://freight.cargo.site/t/original/i/cccc1d018a1ba28920c92da5e410d9f2a8e16c032f86544fd067002c818893ed/web-Framtidens-skuggor-8-2415.jpg" data-mid="231876482" border="0" alt="Framtidens skugga VIII, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" data-caption="Framtidens skugga VIII, 2025 Acrylics on canvas 70 x 102 cm each incl. frame" src="https://freight.cargo.site/w/1000/i/cccc1d018a1ba28920c92da5e410d9f2a8e16c032f86544fd067002c818893ed/web-Framtidens-skuggor-8-2415.jpg" /> <img width="1440" height="1354" width_o="1440" height_o="1354" data-src="https://freight.cargo.site/t/original/i/1ac067caa38d4b0149343945bf917a22b27de102665387c3f7bf7791258b91f9/webElsewhere2490.jpg" data-mid="231876488" border="0" alt="Elsewhere (Northern November), 2025 Oil stick on canvas 31 x 33 cm incl. frame" data-caption="Elsewhere (Northern November), 2025 Oil stick on canvas 31 x 33 cm incl. frame" src="https://freight.cargo.site/w/1000/i/1ac067caa38d4b0149343945bf917a22b27de102665387c3f7bf7791258b91f9/webElsewhere2490.jpg" /> <img width="1400" height="1351" width_o="1400" height_o="1351" data-src="https://freight.cargo.site/t/original/i/331c157008ea82dccbee91e96669d8ed5ffe7258fa13fe8095685ce8b5b109b0/webElsewhere2493.jpg" data-mid="231876489" border="0" alt="Elsewhere (Overcast Contour), 2025 Oil stick on canvas 27 x 28 cm incl. frame" data-caption="Elsewhere (Overcast Contour), 2025 Oil stick on canvas 27 x 28 cm incl. frame" src="https://freight.cargo.site/w/1000/i/331c157008ea82dccbee91e96669d8ed5ffe7258fa13fe8095685ce8b5b109b0/webElsewhere2493.jpg" /> <img width="1440" height="1347" width_o="1440" height_o="1347" data-src="https://freight.cargo.site/t/original/i/b875bd82fa1cc21b747efc93b3f76d6229a8b139bda788023b65b22c6da0e6dd/web-Elsewhere2486.jpg" data-mid="231876471" border="0" alt="Elsewhere (Haunter), 2025 Oil stick on canvas 28 x 30 cm incl. frame" data-caption="Elsewhere (Haunter), 2025 Oil stick on canvas 28 x 30 cm incl. frame" src="https://freight.cargo.site/w/1000/i/b875bd82fa1cc21b747efc93b3f76d6229a8b139bda788023b65b22c6da0e6dd/web-Elsewhere2486.jpg" /> <img width="1398" height="1400" width_o="1398" height_o="1400" data-src="https://freight.cargo.site/t/original/i/748030ea0a3c17e373273ec1033a1d1b0abab83b7253077ee72a55228a95477c/web-Elsewhere2505.jpg" data-mid="231876473" border="0" alt="Elsewhere (Front), 2025 Oil stick on canvas 33 x 33 cm incl. frame" data-caption="Elsewhere (Front), 2025 Oil stick on canvas 33 x 33 cm incl. frame" src="https://freight.cargo.site/w/1000/i/748030ea0a3c17e373273ec1033a1d1b0abab83b7253077ee72a55228a95477c/web-Elsewhere2505.jpg" /> <img width="1400" height="1307" width_o="1400" height_o="1307" data-src="https://freight.cargo.site/t/original/i/cbe247c0defcaaf4468fdbb76bbe325be7a5fcd18c71b733c9e44b2f155f8e32/web-Elsewhere2508.jpg" data-mid="231876474" border="0" alt="Elsewhere (Alba), 2025 Oil stick on canvas 28 x 30 cm incl. frame" data-caption="Elsewhere (Alba), 2025 Oil stick on canvas 28 x 30 cm incl. frame" src="https://freight.cargo.site/w/1000/i/cbe247c0defcaaf4468fdbb76bbe325be7a5fcd18c71b733c9e44b2f155f8e32/web-Elsewhere2508.jpg" /> <img width="1440" height="1438" width_o="1440" height_o="1438" data-src="https://freight.cargo.site/t/original/i/c152edd390c0f46c83a5cd37e8ee569f73b036a8ee1312916e859e7351b15b7a/web-Elsewhere2500.jpg" data-mid="231876472" border="0" alt="Elsewhere with Peak, 2025 Oil stick on canvas 33 x 33 cm incl. frame" data-caption="Elsewhere with Peak, 2025 Oil stick on canvas 33 x 33 cm incl. frame" src="https://freight.cargo.site/w/1000/i/c152edd390c0f46c83a5cd37e8ee569f73b036a8ee1312916e859e7351b15b7a/web-Elsewhere2500.jpg" /> <img width="1400" height="937" width_o="1400" height_o="937" data-src="https://freight.cargo.site/t/original/i/327a0e7d4cc5d35959f8dd06355850bcc8271207f60cdf789e54e02588b73ae5/Anat-Ebgi-10.21.25-77.jpg" data-mid="241823369" border="0" alt="Ravel II, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel II, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/327a0e7d4cc5d35959f8dd06355850bcc8271207f60cdf789e54e02588b73ae5/Anat-Ebgi-10.21.25-77.jpg" /> <img width="1400" height="938" width_o="1400" height_o="938" data-src="https://freight.cargo.site/t/original/i/ee40a5c3f6867c6491c05ac72055916666379c2520b0a37ef7cccdf5a84e4a14/Anat-Ebgi-10.21.25-82.jpg" data-mid="241823089" border="0" alt="Ravel III, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel III, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/ee40a5c3f6867c6491c05ac72055916666379c2520b0a37ef7cccdf5a84e4a14/Anat-Ebgi-10.21.25-82.jpg" /> <img width="1400" height="940" width_o="1400" height_o="940" data-src="https://freight.cargo.site/t/original/i/f6e3ae1da09c48aa0dbff8b42579e501005cccd3f3c1b2f532bf60bc4626502a/Anat-Ebgi-10.21.25-87.jpg" data-mid="241823090" border="0" alt="Ravel V, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel V, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/f6e3ae1da09c48aa0dbff8b42579e501005cccd3f3c1b2f532bf60bc4626502a/Anat-Ebgi-10.21.25-87.jpg" /> <img width="1400" height="941" width_o="1400" height_o="941" data-src="https://freight.cargo.site/t/original/i/4a0c972e612178a22ec930f6713c78229127c0b9e28b80bfeaec774efab0907c/Anat-Ebgi-10.21.25-93.jpg" data-mid="241823091" border="0" alt="Ravel I, 2025 Acrylic on canvas Framed 40&rdquo; x 59.62&rdquo;" data-caption="Ravel I, 2025 Acrylic on canvas Framed 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/4a0c972e612178a22ec930f6713c78229127c0b9e28b80bfeaec774efab0907c/Anat-Ebgi-10.21.25-93.jpg" /> <img width="1400" height="938" width_o="1400" height_o="938" data-src="https://freight.cargo.site/t/original/i/51f7767db7267f84347605436ff0a046707fc8363bea71f9c078d70531e62257/Anat-Ebgi-10.21.25-99.jpg" data-mid="241823092" border="0" alt="Ravel VI, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel VI, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/51f7767db7267f84347605436ff0a046707fc8363bea71f9c078d70531e62257/Anat-Ebgi-10.21.25-99.jpg" /> <img width="1400" height="938" width_o="1400" height_o="938" data-src="https://freight.cargo.site/t/original/i/13d13db856cb8938109069c309a8e478b78ebf4be2b180b99814586057568470/Anat-Ebgi-10.21.25-104.jpg" data-mid="241823093" border="0" alt="Paradise Lost, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Paradise Lost, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/13d13db856cb8938109069c309a8e478b78ebf4be2b180b99814586057568470/Anat-Ebgi-10.21.25-104.jpg" /> <img width="1400" height="935" width_o="1400" height_o="935" data-src="https://freight.cargo.site/t/original/i/643145c93f9578eec76bd8793c11a719e7295fa527345323e4496ab25a4571c6/Anat-Ebgi-10.21.25-110.jpg" data-mid="241823094" border="0" alt="Ravel IX, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel IX, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/643145c93f9578eec76bd8793c11a719e7295fa527345323e4496ab25a4571c6/Anat-Ebgi-10.21.25-110.jpg" /> <img width="1400" height="940" width_o="1400" height_o="940" data-src="https://freight.cargo.site/t/original/i/492a98a06c427d40bc6294bb1560fc7fe26f24080286155cd3f419903f1a2477/Anat-Ebgi-10.21.25-115.jpg" data-mid="241823095" border="0" alt="Ravel X, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel X, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/492a98a06c427d40bc6294bb1560fc7fe26f24080286155cd3f419903f1a2477/Anat-Ebgi-10.21.25-115.jpg" /> <img width="1400" height="938" width_o="1400" height_o="938" data-src="https://freight.cargo.site/t/original/i/469e227559bb9061ebe5274ddc780024562f292832f87719458961c92231ec48/Anat-Ebgi-10.21.25-120.jpg" data-mid="241823096" border="0" alt="Ravel IIX, 2025 Acrylic on canvas 40&rdquo; x 59.62&rdquo;" data-caption="Ravel IIX, 2025 Acrylic on canvas 40” x 59.62”" src="https://freight.cargo.site/w/1000/i/469e227559bb9061ebe5274ddc780024562f292832f87719458961c92231ec48/Anat-Ebgi-10.21.25-120.jpg" /> <img width="1400" height="938" width_o="1400" height_o="938" data-src="https://freight.cargo.site/t/original/i/cb4adbb90cacf79e47482033075ffba061001b38f9a19296dce61b2f4bce0639/Anat-Ebgi-10.21.25-125.jpg" data-mid="241823097" border="0" alt="Ravel IV, 2025 Acrylic on canvas 40&quot; x 59 5/8&quot;" data-caption="Ravel IV, 2025 Acrylic on canvas 40&quot; x 59 5/8&quot;" src="https://freight.cargo.site/w/1000/i/cb4adbb90cacf79e47482033075ffba061001b38f9a19296dce61b2f4bce0639/Anat-Ebgi-10.21.25-125.jpg" /> <img width="1400" height="830" width_o="1400" height_o="830" data-src="https://freight.cargo.site/t/original/i/0620d0337b21245d6a1cf87bcb018c13338b3b101ab8c42ba77ce78c7b7aab9f/Anat-Ebgi-10.21.25-131.jpg" data-mid="241823098" border="0" alt="Undae, 2025 Acrylic on canvas Frame 40&rdquo; x 67.62&rdquo;" data-caption="Undae, 2025 Acrylic on canvas Frame 40” x 67.62”" src="https://freight.cargo.site/w/1000/i/0620d0337b21245d6a1cf87bcb018c13338b3b101ab8c42ba77ce78c7b7aab9f/Anat-Ebgi-10.21.25-131.jpg" /> <img width="1400" height="1081" width_o="1400" height_o="1081" data-src="https://freight.cargo.site/t/original/i/19d18968a046bdf29b3545be457be87e8a9742b8ca903041d1d4a721dbce2190/Anat-Ebgi-10.21.25-136.jpg" data-mid="241823099" border="0" alt="Peach Phenomenon, 2025 Acrylic on canvas 40&rdquo; x 51.81&rdquo;" data-caption="Peach Phenomenon, 2025 Acrylic on canvas 40” x 51.81”" src="https://freight.cargo.site/w/1000/i/19d18968a046bdf29b3545be457be87e8a9742b8ca903041d1d4a721dbce2190/Anat-Ebgi-10.21.25-136.jpg" /> <img width="1400" height="1081" width_o="1400" height_o="1081" data-src="https://freight.cargo.site/t/original/i/ed76236731fdab9b192a2b7a51bd50f0949dd39f917663bf4524c75cd5b75d9a/Anat-Ebgi-10.21.25-140.jpg" data-mid="241823100" border="0" alt="Ravel VII, 2025 Acrylic on canvas 40&rdquo; x 51.87&rdquo;" data-caption="Ravel VII, 2025 Acrylic on canvas 40” x 51.87”" src="https://freight.cargo.site/w/1000/i/ed76236731fdab9b192a2b7a51bd50f0949dd39f917663bf4524c75cd5b75d9a/Anat-Ebgi-10.21.25-140.jpg" /> <img width="1400" height="1397" width_o="1400" height_o="1397" data-src="https://freight.cargo.site/t/original/i/e99e23f9a8b3196a38ece2043a249017b60d50e5d0ccd788eb8f9c3964f630ad/Anat-Ebgi-10.21.25-145.jpg" data-mid="241823101" border="0" alt="Approaching Times Three, 2025 Acrylic on canvas 40&rdquo; x 40&rdquo;" data-caption="Approaching Times Three, 2025 Acrylic on canvas 40” x 40”" src="https://freight.cargo.site/w/1000/i/e99e23f9a8b3196a38ece2043a249017b60d50e5d0ccd788eb8f9c3964f630ad/Anat-Ebgi-10.21.25-145.jpg" /> <img width="1400" height="646" width_o="1400" height_o="646" data-src="https://freight.cargo.site/t/original/i/41ab8bd50d9608017afa040f8073c9ad3ae75045fef962e2f32813be38653ca5/Anat-Ebgi-10.21.25-151.jpg" data-mid="241823102" border="0" alt="Verso I-II, 2025 Acrylic on canvas Installed 40&rdquo; x 90&rdquo; Each panel 40&rdquo; x 44&rdquo;" data-caption="Verso I-II, 2025 Acrylic on canvas Installed 40” x 90” Each panel 40” x 44”" src="https://freight.cargo.site/w/1000/i/41ab8bd50d9608017afa040f8073c9ad3ae75045fef962e2f32813be38653ca5/Anat-Ebgi-10.21.25-151.jpg" /> <img width="1400" height="1807" width_o="1400" height_o="1807" data-src="https://freight.cargo.site/t/original/i/d46f5ce84edc1ee41f04fd90814caf567d32789221d00a879cbcfde4f342881e/Anat-Ebgi-10.21.25-163.jpg" data-mid="241823104" border="0" alt="Dust Plunge, 2025 Acrylic on canvas 26.31&rdquo; x 20.5&rdquo;" data-caption="Dust Plunge, 2025 Acrylic on canvas 26.31” x 20.5”" src="https://freight.cargo.site/w/1000/i/d46f5ce84edc1ee41f04fd90814caf567d32789221d00a879cbcfde4f342881e/Anat-Ebgi-10.21.25-163.jpg" /> <img width="1400" height="1413" width_o="1400" height_o="1413" data-src="https://freight.cargo.site/t/original/i/2fab44c65e0022f371edba32a1c57279f15ff6a7663db3617b04cd3d355a47f2/DSCF3128_1.jpg" data-mid="241823341" border="0" alt="Rift, 2025 Acrylic on canvas 69.28&rdquo; x 69.28&rdquo;" data-caption="Rift, 2025 Acrylic on canvas 69.28” x 69.28”" src="https://freight.cargo.site/w/1000/i/2fab44c65e0022f371edba32a1c57279f15ff6a7663db3617b04cd3d355a47f2/DSCF3128_1.jpg" /> <img width="1400" height="1396" width_o="1400" height_o="1396" data-src="https://freight.cargo.site/t/original/i/a81cafad3d521a1e272324c3332bf960c5221c537d81388b73b749cf2da0d2d0/DSCF3121_1.jpg" data-mid="241831915" border="0" alt="Plunge (Blood Moon), 2025 Acrylic on canvas 69.28&rdquo; x 69.28&rdquo;" data-caption="Plunge (Blood Moon), 2025 Acrylic on canvas 69.28” x 69.28”" src="https://freight.cargo.site/w/1000/i/a81cafad3d521a1e272324c3332bf960c5221c537d81388b73b749cf2da0d2d0/DSCF3121_1.jpg" /> <img width="1400" height="1412" width_o="1400" height_o="1412" data-src="https://freight.cargo.site/t/original/i/d993fdb6643447053a72482bc47283d75f1c390bb777e7a3fc59c760aec5cc93/DSCF3133_1.jpg" data-mid="241823342" border="0" alt="Nimbus, 2025 Acrylic on canvas 69.28&rdquo; x 69.28&rdquo;" data-caption="Nimbus, 2025 Acrylic on canvas 69.28” x 69.28”" src="https://freight.cargo.site/w/1000/i/d993fdb6643447053a72482bc47283d75f1c390bb777e7a3fc59c760aec5cc93/DSCF3133_1.jpg" /> <img width="1400" height="1253" width_o="1400" height_o="1253" data-src="https://freight.cargo.site/t/original/i/c2e7fc3fdf544de6bca6023ff210a2a93cb927f57bc8e0fef600d15756c72c85/DSCF3139_1.jpg" data-mid="241823343" border="0" alt="Ashen Light, 2025 Acrylic on canvas, 140 x 151cm" data-caption="Ashen Light, 2025 Acrylic 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